| Orchestral Suite " Harry Janos " by the great Hungarian composer and musiceducator folklorists and Kodaly Zuoer Dan (hereinafter referred to as the Kodaly),adapted from the opera based on its namesake. Original opera is ordered before theend of the four-act play behind the scenes, the opera " Harry Janos " is a folk talewith a Kodaly " veterans " for the creation of the opera script, October16,1926premiere in Hungary the Royal opera House in Budapest and cause a greater impact,but the composer was not satisfied with the success of the opera will soon be replacedby a large six-part structure orchestral Suite, musical language was later adaptedinstrumental suite used by more succinct and rich " Kodaly " style, whether it is tobuild a structure in music, tonality elaborate layout themes or scenes work on theorchestration and weaving techniques are uniquely harmonic language, the languageof music shows Kodaly ability to control both rooted in folk music foundation, andembracing modern compositional techniques of the West, and innovation will be botha melting furnace, the people into a different style of sound world. This paperattempts to copy the song is through the creation of background analysis, structuralanalysis of musical works to look into the use of creative works of Kodaly ’s harmoniclanguage techniques and styles.The text of the main body consists of four chapters. The first chapter is a creativebackground analysis, structural situation introduces Kodaly ’s life, as well as thecreation of the opera " Harry Janos " story outline and the suite, and establish a goodfoundation for the full text of the humanities writing; second chapter Suitecomprehensive analysis of six parts, including characteristics of the theme melody,tonality analysis and orchestration technique analysis, based on the conception of thispaper is on the analysis of acoustic techniques, and therefore will analyze the musicalstructure of the return home to the third analysis of the acoustic techniques to bringthe chapter as a framework for analysis of the material, this chapter does not go intodetails; Chapter III is the core text of writing to different types of chord analysis as abasis, the various parts of the suite introduces the use of acoustic techniques mainly analyzed from chord, not three chord additional chords, chords change, high stackedchords, chromatic harmony of style, a special type of harmony on three of theseaspects. From the use of acoustic techniques, we can see that both follow thetraditional Kodaly and the pursuit of innovation, he will use the traditional techniqueharmony be writing a different perspective, trying to achieve the effect of a novel andbreakthrough musical tradition; Chapter IV is Chapter III on the basis of theharmonic language of the Kodaly summarize comb and place it in classical andmodern music world, explaining its formation and harmony style, the main factorsare divided into ethnic harmony, harmony innovative techniques and the impact onthree aspects of the new musical elaborate.Through the " Harry Janos " this work is more comprehensive analysis of its buildand sound understanding of the language system has at least the following threeaspects, first, in this work numerous Kodály used unorganized first harmoniclanguage is based on the folk music of emotion; Second, embracing diverse stylestogether in harmony in this piece into a trickle, as a service music for the song meansto express emotion; Third, back to this work itself, from conception analysis of thiswork, but also to come to the answer, that is full of nationalist sentiment in thecreative process, the Western world had hegemonism and power politics with the warfor peace there are the usual disgust. |
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