Narrative Research Under The Chinese Emperors Teleplay Dissemination Vision

Since ancient times, Chinese people are advocating and faith history, it reflects theexcellent Chinese civilization, culture, inspire national pride of the Chinese people. Sowe pay more attention to the history. Emperor teleplays for the audience largely restorethe framework of Chinese history, and as much as possible so that the audience throughthe TV this media to this period of history during the important historical figures andevents, objective and image demonstrate to the audience in front of the TV to allowviewers to relive those glorious historical events occurred in a different historicalcontext, the reproduction of the hero, who live in a different historical context, to satisfythe curiosity of people of history, to wake everyone historical identity. Been relativelyhot "Yong Zheng Dynasty","Han Wu Da Di","emperor","Palace of Desire" Theseoutstanding works of well-known for its majestic momentum, strong visual impact andsoul shocking art real display of China’s long history and culture to the audience.This emperor teleplays trend produced in their own special context, and itspresence also caused a greater or lesser extent, to the considerable real-world these haveimportant practical significance for the dissemination of practice. In this paper, thetheory and results of Mass Communication, narratology, aesthetics, narrative art of themain line of emperors teleplays centric to the emperors of this narrative main, wellreceived by our audience emperors theme focused on research in mass communicationTV series, explore the history of China emperors teleplays audience status and narrativeforms of communication, to reveal cultural connotation and aesthetic value of theemperors teleplays.The first chapter of the thesis, the connotation and extension of relevant conceptsdefined and related to the general combing, and discusses the emperor teleplays, andsummarize the theories and methods of the imperial drama. Chapter II study emperorsteleplays narrative creation with its audience to accept, to explore popular Imperialteleplays reasons through the analysis of the audience heart. The third chapter combinesthree functions of research and analysis of the the emperors teleplays narrative functionin Communication Studies. The fourth chapter in Communication Studies from theperspective of the emperors teleplays characterization, plot and narrative structure toexplore the narrative strategies of the type of drama. The main features of this paper isto stand in the perspective of Mass Communication Research emperors teleplays narrative art, audience analysis reveals a link between the narrative and the audiencethrough drama and a few typical cases reveal the relationship between drama Narrativeand dissemination, and to summarize and evaluation of the overall narrative and culturalcharacteristics and aesthetic character of the Chinese emperors teleplays, to promote thedevelopment of drama narrative art research as well as to promote the prosperity ofChinese drama and art undertakings and cultural industries and developed.