Traditional Garden Architecture Window Lattice Ornamentation In The Use Of Modern Interior Design

With the development of building technology and art, decorations of window lattice, served as an important symbol in the inside and outside environment of architectures, have been widely applied to all kinds of architectural interior spaces, especially in interior decorations. People create more various models and ornamentations with the method of reference. The ornamentations, patterns and subject matters on the window lattice are finely carved, of all shapes and true to life likeness, producing artistic effect and giving person with beautiful visual enjoyment. At the same time,decorations of window lattice which are rich in culture meanings,also provide a lot of space material and sources of inspiration to modern design.The first chapter of the article gives a brief summary of decorations of window lattice and its cultural meanings. They represent the modern aesthetic standard. And their richness in Chinese traditional culture fully describes the Confucianists’ rules of divine right, making these garden lattices hierarchical in compositions and colors, which clearly shows this kind of traditional moral system. The second chapter introduces several aspects of traditional window lattices’ application forms and continuation in modern indoor designing.In fact, any newborn thing is based on tradition. When we review the origin of the window bars and the evolution of the traditional patterns of them, we can find that the patterns of the window bars always play an active part in Chinese decoration, and the styles of them also become an important decoration symbol in interior design, whether the window decoration directly use, or for ornamentation elements are refined deformation, decomposition and reconstruction. Whether the reference traditional style, or some elements of innovation, taking the characteristics of the "outside" and " inside" in traditional decoration of window bars naturally integrate into the "sense" and "prospect" in modern decoration design, and thus forming a design context where he traditional and the modern are mixed up. And finally all above produce a strong visual effect and art appreciation.The third chapter explains the window lattices’e ffects on modern indoor designing and how to use west modern design theory to reread and strut this design culture with typical east mental tradition. And how to use the theoretical system of modern western design to review and support this kind of traditional design culture which possesses typical oriental spirit has become the common focus among the designers and scholars. So we should innovate on the foundation of mixture of the both to remake an attempt and scan on modern interior design.