The Research Of Color Element And Line Form In The Traditional Meticulous Figure Painting

Brushwork is such an important part of traditional Chinese figure painting. In thehistory of Chinese painting,"gongbi","yibi" terminology differences are verysignificant, and often with "gongxi" and "yeyi" or "neat" and "the stick" slightlydifferentiated. Browse through meticulous work in the history of Chinese painting,which colors and elegant lines using this system of painting different from "Jane"painting the obvious place. Brushwork is usually in the form of lines of beauty or colorvisual beauty as the main means of expression, through the use of both types of media,shaping or Grand or magnificent beauty or fresh and elegant art form.Color is one of the most important means of expression in the creation of traditionalChinese realistic figure painting. Starting early in the Neolithic period, puts the ancients,have been found in human visual perception is different color differences. Specific tothe meticulous, different colors contain different cultural codes. Wei Jin times of colorviews is not very highlight, main by silk to of color to contrasting figures image oftemperament, this shape just reflect has Wei Jin times style high ancient of aestheticthought, and Yung generation times of figure painting color gorgeous, saturated degrees,and bright degrees are is high, has decorative of color aesthetic enjoy trend.Line is another important component of brushwork. Chinese painting is "line" of art,from the early cave paintings, pottery painting to its original text, Oracle. is composedof abstract "line of composition. Literati painting has accentuated the theory"calligraphy pen", in fact, is highlighted by "line of beauty."Bone method", andother theories highlight the special function of line in painting. In the history oftraditional Chinese realistic figure painting, it is important for line art in Wei and Jinperiods and brushwork in this period was mainly lines create forms, and conveys thisera through the line of beauty by advocating the philosophic beauty of abstraction.The beauty of color visual and lines are in fact only external beauty of formelements is meticulous. A piece’s true nature is to hide under the external beauty ofform elements deep cultural connotations, and "meaningful forms" infected people, educate people, thereby passing a spirit of traditional culture and charisma. As indicatedby the painting’s "gracious citadels, covered", precisely because of works containedwithin meme, in specific works of art appreciators to decipher the difference inideology and aesthetic consciousness of the times, to understand the aesthetic conceptof value orientation and choice of the ancients.This article by the introduction, body, conclusion is composed of three parts.In the introduction section, this article is mainly selected "meticulous colorlanguage and line forms" as origin and background of the research topic to do somerepresentations, demonstrates selecting colors and lines both in the form of language forreasonableness of research breakthrough, and looked for a meticulous forms of beautyin harmony.Body part is made up of three smaller chapters. First chapter on brushwork figurepainting in the of color visual beauty and line forms beauty for doubled brieflyintroduced, and both in brushwork figure painting in the of specific performancefeatures and exists forms; second chapter undertakes first part and to, main rootenclosed China aesthetic thought development process extraction out Wei Jin, and Tangsong, and in Ming and Qing dynasties three a figure painting development course in theof representative times, refined out three a times due to different of aesthetic valueappeared of intensity beauty, and visual beauty, and secular beauty of aesthetic styledifferences; third chapter belonging to new era brushwork figure painting ofdevelopment, Because this period is more complex, just selecting a few simpleexamples demonstrate the author still searching development in fine brushwork figurepainting, concrete structures mainly in color and lines on the performance of the ZheSchool figure painting and meticulous as an argument.Part III, belonging to the conclusion, summarize the whole article, the brushworkhas a reasonable knowledge of meticulous combing through different historical periodsand sort out the core elements of this system of painting evolution. Based on "pen andink with the contemporary" innovative ideas, reasonable combination of meticulousfield worker wrote in the new era of manifestations.