Painting Carrier-"Silk","Paper" Impact On Development Of Flower And-bird Painting

When we make art is an essential part of painting materials, the material is the carrier ofart creation, and artistic creation experience and a decisive factor in the form of art. And whatmaterials and useful tools to express, and expressed in any tools, the author in this paperfocuses on the evolution of painting carrier’s influence on the flower-bird paintingdevelopment.When we focus on the development of Chinese paintings, it is not difficult to find thatthe social environment, cultural and political, in the era of aesthetic tendency are affecting thedevelopment of painting, silk, paper and painting carrier development evolution are alsorestricted to some extent and promote the development of the painting, each painting carrieruse and choice and at that time, the level of social productive forces, the development ofsocial spiritual and cultural needs, and to some kind of artistic style of all have close relations,can say, flower and-bird painting and painting carrier development complement each other,inseparable, they restrict each other and promote each other. But we can be sure of is thedevelopment of painting a carrier of the development of freehand brushwork flowers andbirds painting is played a huge role, if painting carrier has remained in the form of silk, flowerand-bird painting is likely to continue in the form of fine hook dyed, attach importance toassign a color features, and will not appear later in the ink, ink and rich flavor of freehandbrushwork in traditional Chinese flower and-bird painting.