The Research Of Aesthetics Of Zong Baihua

Zong Baihua’s aesthetics are scholars called " Walking aesthetics," Mr. Zong is also the essence of his aesthetic chapter compilation of " aesthetics walk." Walking is characterized by " free, unfettered," Mr. Zong express musical sense of aesthetics by his article, such as the state of freedom of leisurely walks, but does not exclude systems and logic. Writing original intention of this article is to try to find out the perfect unity of aesthetics Mr. Zong walks and logic. China advocated spiritual sense of music, though also through musical expression, but we have to understand the ontological perspective and experience, then there is a world focused on the expression of vitality and rhythm of life, even if" Although there is no music of string and wind orchestra, sing with wine is sufficient to chant a cheerfully times past,"the fast-contingent self-sufficient and harmonious state of mind.The first chapter is the main metaphysical basis of Zong Baihua the spirit of the musica; sense, the paper explained mainly from three aspects, the first is a groundbreaking study of the Confucius’s thoughts how to affect the aesthetic the spirit of the musical sense on Zong Baihua, as the main representative of Chinese culture, Confucius thought, not only affects the history of civilization China a few years ago, and shaped the Chinese people’s national character. Confucius is particularly state the spiritel of musical sense, is the direct source of ideas Zong Baihua, so the spirit of the musical sense is on the basis of inherited Confucius’ thoughts. Section Ⅱ is the study of the role of Chinese traditional time and space in the sense of Zong Baihua metaphysical spiritual, Zong Baihua attach importance to study the differents of time and space between Chinese and Western, time and space can decided the nation’s ideological,and the main reason and behavior concepts, Zong Baihua summed up that "time and space is unified and time is dominating the space", and that directly influence and shape the Chinese aesthetic spirite of musical sense. Section Ⅲ study of the influence of Western ideas of Goethe Baihua life, the reaction system in its aesthetic sense of the spirit of the music is shaping the Aesthetics of Zong.The second chapter describes the various categories of musicality spirit embodied in Baihua Art in Baihua traditional Chinese arts such as painting, calligraphy, poetry, architecture, music, dance, and so some research, this paper attempts were white China to explore the various arts of music Unravel the ways and means to show their sense of aesthetics and spirit, and a sense of spiritual music in different kinds of art exhibited in different artistic realm.The third chapter describes Zong Baihua’s " art of life " s Aesthetic ultimate end result is " Mei Kai true", that is, for the Chinese people to find out the correct outlook on life, this paper studies were white Jin Hua tribute to the beauty of people and demonstrate Baihua passion for the art of life.In today’s commodity society, on the other hand, a little modest society as a whole, aesthetics is not " boring pastime literati " traditional aesthetics, and is already an important part of the philosophy of aesthetics with the " Road " is the most close, so conscious about humanity thought, reveals a deep inner strength and self-transcendence of life force. We live on this land, you need to create dreams, you need to face the world and aesthetic vision of life.