Debussy’s Impressionistic Nationalization Practice Chinese In The Piano Music

In the course of development of the modern world music, music of Impressionism is undoubtedly a bright pearl, in the whole world music modern development plays an important role. Investigate its reason, the use of the hand Debussy creation techniques for music brought from has not had the elegant, hazy mood, but on the other hand, it is because he opens a new door for modern music creation, the possibility of a completely different from the classical music, the musicians can get rid of the shackles classical music for a long time to be a new music creation. So, when the music of Impressionism in the last century50’s into the China, immediately if one stone Melaleuca waves stirred up, in Chinese music industry caused great repercussions, and then take root in the China, his composition techniques continue to appear in the Chinese piano works.This paper will be discussed from the three aspects of China’s piano music of Impressionism technique nationalization. One is from the impressionism music in common with China music as the starting point of the study; the two is from the concrete creation method as a starting point for research, including the analysis of the material and the development of music composing technique analysis of two chapters; three will have the impression Mongolia style of family style of piano works object to study the Impressionism, the nationalization practice in Mongolia group of works.