Cold Forest’ Swansong-zhao Mengfu Withered Away In The Yuan Dynest(l271-1368) Li Guo Paixi Landscape Painting Style To Play The Rrole Of

After the development of the five dynasties tang and song dynasty, li guo factionstyle painting reached its zenith in the north of China, especially after the inheritance andcarry forward of Guo Xi who lived in northern song dynasty. This faction filled deep politicalimplications in li guo. Out late northern song dynasty, song dynasty south corner, hang Zhoulandscape painting development for stiffness Liu Li Ma Xia type; The north guo li sent afterjin painters inherited and passed down. During Yuan dynasty guo li factional style painting inthe early and middle by literati painters and professional painter again ushered in theinheritance and development, such as to show the book and literati interest injected freshblood, guo li factional style paintings began to have realistic to heavy is the trend of thedevelopment of the interest. Yuan dynasty later period with the development of economy ofthe south, the north by scholars of cultural and artistic control, reduce and the rise of thesouthern gentry status of RMB Yuan at the end of the war continued, guo li factional stylepainting goes to decline and fall, prosperous no longer.Song and Yuan dynasties are the two peaks in the landscape painting field in China, andthe poets in heavy realistic; They judged the Yuan as enjoyable. Although early Yuanpainting style can be roughly divided into two camps: Ii Guo who comes from north andDong Ju comes from south, but how the mainstream style of song dynasty painting realisticdevelopment in Yuan dynasty of freehand brushwork in traditional Chinese painting, how themiddle transition, is worth thinking about. Always during meng and Yuan period studypainting, most of the focus on a few of successors to rival the painters of offspring have aguiding role, therefore theory painting art research Zhaomengfu, Gao Kegong and the laterperiod of the "four", Wang and wu ni, huang, deals with the other person is little, even thoughthere are also few words, however, there is no deep theory. Kublai Khan in to Yuan eightyears (1271) set the title in Yuan, sixteen years destroyed the southern song dynasty to Yuannational unity to Yuan, Yuan shun emperor was on power for28years (1368),then destroyedby the Ming dynasty, all11emperor entering the central plains, a total of ninety-eight. Four home for later generations of Yuan, huang gong Wang who was born in1269, died in1354,trouble on the1315jailed, fortunately, no life for sorrow. At the beginning of his came out ofprison,huang put all his energy and thoughts in Taoism and painting, so huang gong Wang’spainting activities mainly in the later period of Yuan dynasty; Wu Zhen was born in1280,died in1354, the main painting activities can also be considered as the Yuan dynasty laterperiod; Wang Mengsheng whose birthday is unknown, died in1385, due to Ming hongwuperiod involved Hu Weiyong case died in prison, when years nearly sixty years, so wangmeng’s painting activities would not be in the early Yuan dynasty; NiZan was born in1306,died in1374, also live to Ming, like wang meng activity roughly the same time. So the Yuandynasty brought guo li factional style painting pomp and on the later Yuan four the effects areparticularly important.Su shi,comes from song dynasty,"to show","calligraphy","in the theory of painting toshape, can be found in children, The yunshan ink play of MiFei, such as by jin literatitradition, in the Yuan dynasty literati painters thought for Zhaomengfu interpretation andpromote further development.Literati painters and professional painter of li guo sent the same motif of the inheritanceand development of different styles and situations, these different styles and situations and theYuan dynasty literati paintings thought hybrid compatibility, RMB of Dong Ju four beat rangis a prelude to a meaning. Literati painters such as Zhaomengfu thoughts and Scott, restoringancient ways around the teachers and students on the impact of li guo sent: image ofabstraction and open; Li Kan, Li Shihang, father and son of li guo sent directly, the clarity oftypical image and stage to inherit tang di, Zhu Derun complicated lively tendency of li guosent motif. Professional painter li guo faction of the successor of northern song dynastycourtyard body such as Luo Zhichuan, Wang Yuan, Yao Ting beauty, etc.Southern literati painters from guo li factional style of painting have Zhaomengfu, CaoZhibai (Yuan) at the beginning of the teachers and students a system, emphaticallydesalination guo li factional style painting business image of the trace; North have li Kan Li Shihang father-son (Yuan) in the early and middle tang di and Zhu Derun a series, the Chenguo li sent a typical image clarity directly, and late Li Shihang,li guo sent in the typical imageadded sorrow, plot, tang dynasty, zhu is in the typical image in li guo added lively the moodof heavy and complicated, the typification of; Professional painter lee kook style is followtheir cue from the northern song dynasty courtyard body li guo sent Guo Xihe Xu Daoning,representative Luo Zhichuan, Wang Yuan and Yao Ting (YanQing). Although they are fromli guo sent crab legs deadwood ghost face stone classical elements, but mixed in different inkimage and appeal, li guo Zhaomengfu decreases CunRan times the number of factions in thestyle of painting, pen and FeiBai image, strengthen center and song dynasty xi diagonal typecomposition, portrait of jiangnan plain low mountain scenery and a hermit thought, so that liguo factions in the yuan dynasty painting style is more colorful, rich.