An Analysis On The Connotation Of Woolf’s The Waves

This paper selects the representative novel The Waves as the text in order to seek the true meaning of the stream of consciousness literature. The major problems to think about and solve include:Is there a new interpretative possibility of the stream of consciousness literature? What is the difference between the world presenting in stream of consciousness literature and the world presenting in traditional literature? Which one is more real, the world described by the stream of consciousness literature or the world described by the traditional literature? It explains these problems by studying the work’s characters of painting and music. It associates the theories with specific analyses and real feelings. It finally forms systematic and in-depth understanding:The author’s control is weakened in the stream of consciousness novel. People’s interior monologue and potential dialogue make the readers stray from the point and use their imagination to come across things the authors hope us to see with personal experience of life. So everyone has The Waves of their own in the hearts. The stream of consciousness has broken the traditional model of time and space with super time and hyperspace. It has destroyed the solidified form of the world, gone back to the original world and built pure contact with the world. The stream of consciousness is out of the creative ideas of traditional literature. It has painted a different real world for us. And it is a revolt against the alienated world. The stream of consciousness has got another kind of literary art manifestation mode and presented endless possibilities of survival to humanity.The thesis text is divided into four parts:The first part studies the characters of painting of The Waves, analyzes the painting color of Virginia Woolf’s novel The Waves in detail on the basis of my aesthetic perception and goes deep into life experiences and visual perception to clarify its ontological significance. The second part studies the characters of music of The Waves, analyzes the music color of The Waves in detail in terms of my aesthetic experience and uses body perception and auditory feelings to reveal its ontological significance. The third part studies the relationship of space art and time art in The Waves and proves that timeliness of space and spatialization of time can not be separated from each other in the stream of consciousness novel The Waves. The fourth part summarizes and concludes the paper, relates to my own practice to elucidate the meaning of the stream of consciousness literature and makes sure that the stream of consciousness is vitally important not only in the post-war society, but also in today’s life.