The Primary Study On The Stream Of Consciousness In Debussy's Music

Based on the object of Debussy's music, this thesis focuses on the study of phenomena of the stream of consciousness in the procedure of formali/ation of his music, which is a multidimensional study and is different to the traditional form analysis, starting from the analysis of the text - score in his music works; using the concept of stream of consciousness in the area of psychology; combining with and applying the methods and conclusions of the study of "structure" in philosophy -linguistics. By this kind of study, the research conclusion in the rule of the creative and aesthetic psychology of the composer is desired and finally it is to mouse out cognition of the forms of the natural structure of music in the consciousness of the composer. This thesis is composed of three parts: introduction, main body and epilogue. The correlated background of Debussy's music, music analysis and some related study to be covered in other areas is introduced to the point. The first chapter in the main body expounds briefly the concrete object, problem and expected solving method in the study of philosophy - psychology, structure, music analysis and other areas; the second chapter is focused on the definition of general stream of consciousness and the embodiment of the phenomena of stream of conscious in the music form; the third chapter focuses on the study of the structural duration in the music works and the ratio of structural duration and inner-time in it which is to demonstrate the structural frame in his music works and the phenomena of "stream of consciousness" in the structural thought. The conclusion part not only summarizes the whole thesis but also reinforces appropriately on the main issue of this thesis.