A Large Symphony Chorus Poem To The Myth Of China Chorus Performance Characteristics

This paper mainly introduces the performance characteristics of the myth of Chinese chorus. Full text is divided into five parts.The first chapter is the introduction, a total is divided into three contents. The first section is the study of origin. This section mainly introduces the birth of the mythology of china and why want to write about the motives of the myth of Chinese chorus performance. The mythology of china is a large-scale symphony chorus was born in2012in China, from the height of the culture, national characteristics and a great deal of it is an unprecedented scale and influence. The second section is the study of meaning. The research significance is a large symphony chorus poem to the birth of the mythology of china, is a major cultural events, twice its performance on the stage of music in China set up a new ruler, because we are delighted to see the cantata (cantata)"Chinese" after the nationalization shape and appearance of the present, from the perspective of its creative features and aesthetic analysis of such a work better for professional and amateur chorus team meet its artistic value, making the classic works spread and popularization in China. The third section is a literature review. In fact about the myth of Chinese music level research papers and books have not yet seen, this section mainly from chorus works and the study of the theory of the chorus for literature.The second chapter is a summary of the mythology of china, is divided into two sections. The first section is the creation of the "mythology of china" background, this section generalizes the Chinese chorus creation venation, each s representative list of chorus works, in the21st century, the development of Chinese chorus showed a trend of diversification, but always lack of a large with Chinese characteristics, and have certain cultural level chorus works, and the emergence of the "Mythology of China" will fill the void. Process is the creation of the "Mythology of China" in the second quarter, zheng Jisi, and song Gan lin that how to create the Mythology of China has carried on the detailed description.The third chapter is "Mythology of China," choral music characteristics of performance. This chapter mainly from the Angle of music analysis research. In the first section is the myth of Chinese symphony sex and nationality. Symphony is the most easy to be accepted by the world in the form of music form. The Mythology of China to apply symphony sex between chorus works, combines symphony orchestra and chorus were very good use, symphony orchestra has a solo passages here, also have the effect of the accompaniment with foil chorus, among them, the composer used a lot of modern writing skills, would this work good modernization. The myth of Chinese machinery symphony sex at the same time, and a "friendly". Kind here refers to in this work, and use a lot of the features of the Chinese nation, the Chinese traditional culture and music for the very good combination. Have the strong national character. The second section is the myth of Chinese chorus the diversity of forms. Diversity is an important feature of the development of Chinese chorus today, is also a general trend in the development of world music, In a chorus of voice idea, the size of the chorus, orchestra and the fusion of national music orchestra, and so on various aspects are reflects the myth of Chinese chorus diversified characteristics of the form. The third section is the Mythology of China and China’s large chorus works of the similarities and differences. The inside of the section, mainly about the Mythology of China and China’s classical chorus comparative analysis of the Yellow River chorus, from four aspects:the content of the work, the creation background, characters, structure of music music ontology analysis, the similarities and differences between the two works in detail. The fourth is the myth of China to see the characteristics of Chinese chorus art. In this section, mainly is the myth of China as an example, summarizes the characteristics of the development of Chinese chorus art.The fourth chapter is the myth of Chinese aesthetic characteristics. From the Angle of aesthetics, the myth of China are studied. The first section is diversity and identity of the mythology of China. Diversity is a good must possess the characteristics of music works. The identity is the lack of music works. Diversity and identity fusion effectively makes the myths of China is more perfect. The second section is the myth of Chinese music character. The chorus works of China ever have "passionate" music character mostly."Mythology of China" in have the music character at the same time also has a "noble". So this is a high degree of good music works have certain culture. The third section is the myth of Chinese literary context of aesthetic characteristics. This section mainly introduced "Mythology of China," seven fairy tale of literary aesthetic logical vein.The final balance is part of the myth of China are summarized.