Research On Chinese Contemporary Female Drama Of Military Women Writers

This essay focuses on the Chinese contemporary female drama of military women writers. From gender perspective, this essay tries to explore the narrative of strategy and drama presentation. Here is the main idea:Chinese contemporary female drama has shown the art of restriction. This essay consists of four parts.Introduction draws a circle of the concept "Chinese contemporary female drama of military women writers", and then summarizes overall visage and style of these dramas, points out the uniqueness. Eventually, the article tries to interpret the creation of research method.In Chapter one, author expounds the influence from multiple identities of these women writers to the drama presentation both in good and bad way."For military or for themselves", military female writers balance these two factors when writing.Chapter two is aimed at the narrative strategy of this type of female drama, points out the fact that women writers have been writing according the androcentrism rule. These dramas are popular propaganda tools to broadcast mainstream value. During writing, female roles are distorted and male roles become hero. Although the ideas on drama were various since1980s, female roles in military drama still suffer the oppression.In Chapter three, in terms of gender experience of female and expansion of drama theme, this part tries to explore how female discourse according to themselves. Some dramas treat female soldiers and soldiers’ wives to be the hero and show women’s life, love and career. But unluckily the mainstream value appears and stops exploring the darkness side of society in a romantic way. Besides, women writers take the initiative in taking responsibility for society.To sum up, through analyzing texts deeply, this essay tries to broaden the angle of studying the military women writers’ drama.