The Mongolian Folk Customs In The Film

Custom is created and accompanied with the old custom as a new form to exist. TheChinese video films absorb nutrients form Ethnic minority culture resources, combine andinherit Ethnic minority culture, and to be formed a unique Chinese minority images. TheChinese video films expand the objects and the performance of the whole Chinese imagespace, and The Mongolian films are always good at with distinctive folk features.Thedistinctive National style is made up of image, a unique local characteristics of image,religious beliefs, music and dress. The Mongolian films provide the typical text for researchof folk custom.Since the new period, with the growth of Mongolian filmmakers, more and morefilmmakers who have national identity are participating in the national film. The Mongolianfilms are also becoming more and more popular. Until the late1980s, there are still fewMongolian films which directed by Mongolian filmmakers independently. Mongolian staff isassisting and participating in film as writers or actors, But after1990s, more and moreMongolian directors began to direct films independently, The most famous directors are saifu,Maili Si, ning cai. In these30years, the Mongolian films are thriving in difficulties,gradually are geared to international standards, and received highly praises at home andabroad.Minority image works, to show ethnic history, local conditions and customs, lifestylesand customs, natural scenery in the manners of images, to reflect the ethnic life directly andquickly and to extend a more broad and rich cultural connotation. It is not a new topic for theexisting research and results about the Mongolian folk culture, but it is not a system for theresearch on folk culture in film, folk custom and films television programs, the scatteredresearch basically is still in the individual. Firstly is a less macroscopic background care, amore phenomenon analysis. There is no explanation to the use of a large number of folkcultures, and the lack of image and folk two-way relationship; secondly there is less empiricalanalysis, and there is more theoretical analysis. The lack in former researches obstacled the further research on folk culture, but also the lead and guidance in practice.With the development of Chinese films, the increase of international exchanges, on thisdiverse world, we have to find the art strategies to the world, folk custom research is veryimportant. For the Mongolian image, customs in films are not only to record and transfer theMongolian culture, is also a stage to The Mongolian culture. Consequently, it is an importanttopic for the Generation after the generation of researchers to research the Mongolian customs,to sum up and summarized the Mongolian traditional culture, to study the precious spiritualwealth, to explore its cultural idea and the roots.