Font Size: a A A

"A Quality Suggestive Of Poetry Or Painting" Into The "Exit"-Liu Jingui Meticulous Figure Painting Art Appreciation

Posted on:2014-06-08Degree:MasterType:Thesis
Country:ChinaCandidate:L Y LiuFull Text:PDF
GTID:2255330425969082Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Liu Jingui is full of personality and creativity of modern Chinese painting artists."Aquality suggestive of poetry or painting blend of artistic conception", made up of Liu Jingui’spainting in the world. So starting from "a quality suggestive of poetry or painting", can be acomprehensive understanding and interpretation of Liu Jingui’s painting art, and can realizeits painting surface above the "simple" and deep "complex". In this paper, it is described bythe "poetry in painting","painting in poetry" of traditional culture, the cultural essencepermeates Liu Jingui meticulous figure painting creation, connotation of inside and outsidethe painting on the unique aesthetics.The introduction to the article to determine the key, is the soul of Chinese painting—"aquality suggestive of poetry or painting" aesthetic connotation, citation guide core appeared incontemporary art of Chinese painting, and then leads to painting of Liu Jingui, and to LiuJingui in the rich "a quality suggestive of poetry or painting" as the aesthetic meaning ofstates.The traditional cultural development in the context of the first part briefly since the HanDynasty poetry in painting, painting poetry, intrinsic to export Chinese painting in the highestrealm—"a quality suggestive of poetry or painting" aesthetic, and thus leads to the hero ofLiu Jingui’s painting art.The second part of the "read" the paintings of Liu Jingui, from the play field, in-depthhumanities; Wen Tao, view of life; adult education, three aspects improve human relations,emphatically explains the connotation of Liu Jingui meticulous figure painting contains "aquality suggestive of poetry or painting" as aesthetic. Liu Jingui will be "a quality suggestiveof poetry or painting" as the aesthetic connotation and painting blend sink into, first of all, cannot be separated from the natural world attention, because it is the starting point of the source,nature and imagine he’s creation. Secondly, Liu Jingui feel as a community of influential artist,he has the responsibility and obligation to actively care for reality, through their own brush,draw all details and scenes of life, passing on current world and secular freedom and order for.Once again, Liu Jingui did not forget his position as a teacher, always hold high the "adult education, improve human relations" this banner, made hard spread to the art of the prairiefire!The implication of the language features of both Liu Jingui painting from thecomposition of third parts, the shape of the United States, the wonderful colors, lines of Yi infour aspects. It is with "the mountain is the mountain", not words, not its shape to a colourful,not like.Like the language characteristic of painting art, can make his paintings contains asuperb artistic conception of ordinary people and "a quality suggestive of poetry or painting".The fourth part of the "Enlightenment" of Liu Jingui’s paintings, from the inheritance anddevelopment of double Transcendence Theory, aesthetic understanding to view and the poeticcreation of aesthetic value of art and life, expresses Liu Jingui’s superb artistic character andon the current Chinese painting depicting the natural weight table to the artistic idealbreakthrough in light of artistic conception, and explains the significance of far-reachingimpact on contemporary aesthetic value of Liu Jingui’s view of language and the art ofpainting.
Keywords/Search Tags:a quality suggestive of poetry or painting, implication, soul
PDF Full Text Request
Related items