Sense In All-the Secret Communication Of Artistic Language

Painting is taken as the visual art, and music is taken as auditory art. However, there areexpressions that hearing the color of notes and see the figure of melody. Understanding theexchange of senses is positive to enhance the artistic appeal, rediscover art and create newartistic style.Having widely taken reference of multi-scientific outcomes, this paper adopts themeasure of combining the literatures and theory. The open of each section starts with modernfable in a prose pattern with a loose language to inspire feeling, which makes this paperachieves to the condition of feeling by all senses.The writer extends the feeling of the art appreciation courses to the discussion on therelationship on artistic languanges.This paper begins on the discussion on the feeling with respect to the meaning,classification and the features of all the five sense organs. It argues that how the artisticfeeling is important to artistic creation, and the creation is unsepratable to the sharp feeling ofthe artist. Secondly, this article focus on a specific phonomenon of senses combination, whichmainly provides the defination of senses combination from psychologic perspective, physicalprinciples, the relationship between senses combination and sense by other organ, thephilosopy priniciples of sense by other organ, literature defination and the extendedapplication to modern. Finally, it concludes that synaesthesia widely exists in the daily lifeand artistic creation.The paper explores from the perspective of history, and establishes the link betweensynaesthesia and the original of art. The argument that art started from witchcraft arises therelationship between witchcraft and work of art, the evolution and the internal relationship oforigin of the China aesthetics and witchcraft and ritual, and revealing the position of sensoryof ancient Chinese aesthetic.Moreover, from the perspective of the link of the substances and the emotions, andsubstances illumating the emotions, argue that the prerequisite of communication on substances and emotions is because both of them have the similar or same force structure.This thesis intends to find out the possibility of secret communication of artistic languagesfrom the defination on languages, the defination on artistic laguages and their features. Thisarticle proposes there are constant features in the art and the rythems of the art becomes thebasis of emotional communication. Meanwhile, it makes the cases that music languages fromthe musice art to support the argument on the secret communication exists in theartisticcreation.Finally, the writer predict that no matter substances, mind, or feeling, they could conductsecret communication providing they have the same or similar field, which is the feeling setsup a self supportive field. The feeling is the cross point of those situations from everyperspectives of emotions, which becomes the breeding ground of sense by other organ, givesbirth the fruitful outcome of artistic secret communication.