The Continuation Of Chinese Scholar-bureaucrat Spirit

Chinese female painters are very special group of artist. They often forgot by the history of painting as artist. Nevertheless, it can not be ignored the fact that Chinese female painters compared with the West female painters, whether it is authoring the number or the creation of quality, quantity is very irksome. Chinese female painters from the basic historical facts is an interesting project. However, research on Chinese women painters, scholars to the conclusion of the Western feminist1960s to apply the very special circumstances. That Chinese women painters longstanding oppression and neglect in the feudal society that its artistic value of the painting has been underestimated. My point of view that female social roles because living in patriarchal clan, or can be said that the patriarchal society, regardless of anything Western society have to face this problem. Therefore, the above problem is not a particularly meaningful proposition is truly meaningful to define the basic form of the Chinese female painter and her in how to look in the history of Chinese culture. My view, the highest achievements of Chinese female painter but the value referred consistent with the Chinese Confucian moral ideology in the history of Chinese painting, she can be mentioned in the same breath with the highest value of China Amateur painting. This reason, I will be take the wife of Yuan Dynasty Zhao Mengfu Guan Daosheng examples to explore the morphology of the Chinese women painters in the history of Chinese culture, and On its historical positioning.