| Nine Ye poet Zheng Min,who must be mentioned in the process ofmodernization of Chinese New Poetry. After the founding of New China,she gaveup poetry creation due to various reasons until1978.Two periods she shows twodifferent style of poetry.This paper is based on the Zheng Min’s later poetry,combined with context ofChinese contemporary poetry and the western post-modern trend, to discuss thecomprehensive characteristics of Zheng Min’s later poetry.The text is divided intothree chapters besides the preface and conclusion.The first chapter mainlyexplains the complex background after the return of Zheng Min, she changeactively under it, and interprets the origin and characteristic of the later poemscomprehensive features. The second chapter focuses on Zheng Min’s Later Poetrylearn from music and painting, from three aspects of poem and music, poetry andpainting, poetry and music and painting to explore the possibility of this creation,and shows the charm of music and painting. The third chapter mainly discussessome micro elements of her later poetry.The second chapter focus on themacroscopic comprehensive between different art,but this chapter pays moreattention to micro perspective, from the imagery, language, structure, to discussesthe comprehensive qualities of each inside element, Show its breadth and depth.Many critics concerned about Zheng Min’s early poems and late poetics, hasnot given sufficient attention for her later poetry.So the research of Zheng Min’slater poetry is particularly important.This paper not only enrich the integrality ofthe entire Zheng Min’s poetics road,but also make up the blank of comprehensivecharacteristics of Zheng Min’s contemporary poetry. |
