The Research On The North Sect Landscape Painting Style Of The Ming Dynasty

In the early and medium Ming Dynasty art circle, because of the special political environment, economic environment, cultural environment, geographical and other complex factors, the North Sect Landscape Painting is very flouring.It emerged some great painters like Wang Lv, Dai Jin, Wu Wei, Tang Yin, Qiu Ying. At that time have four specific styles,including the North Sect Landscape Painting style of "Northern School","Southern School" style,"The North Sect as the Body, the South Sect for Use "style and "blue and green "style four specific styles. First of all, this paper from the painting "style" proceed with to redefine the landscape painting "North-South Sect" theory, and then to the North Sect Landscape Painting of the four styles were origin relation between comb. Then in the second chapter,talked about some specific artists and works, with stylistics, image science, literature, comparative studies, psychology and other research methods, focusing on the North Sect Landscape Painting style four launched an in-depth study. To Wang Lv represents the "Northern School" style and to put into Dai Jin, Wu Wei as the representative of the "Southern School "style from philosophy and aesthetics and geography were studied, to Tang Yin’s "The North Sect as the Body, the South Sect for Use"style and Qiu Ying "blue and green" style since the middle of Ming Dynasty writer of the painter’s occupation and occupation of the literati painters angle are analyzed. The style of the four specific studies reveal the evolution of style in the course of the negation law. In the third chapter, the North Sect Landscape Painting of Ming Dynasty to the revival of traditional factors, political factors, cultural factors, geographical factors, and market factors to carry out a comprehensive exploration. The fourth chapter discusses the North Sect Landscape Painting in the theory of Dong Qichang "North-South Sect" theory and Shi Tao’s influence on contemporary painting; Ming Court body flowers and birds painting and Japanese Muromachi period landscape painting; on twentieth Century, the impact on Chen Shaomei and the other painter of the North Sect Landscape Painting.The fifth chapter of the Ming Dynasty North Sect Landscape Painting in the Ming Dynasty history and landscape painting history historical significance are discussed.The article from the history of the Ming Dynasty in the north were the development of landscape painting process to be dynamic scientific research, through to the Ming Dynasty North Sect Landscape Painting style classification and causes of discourse, as well as to style and evolution law of between, and reconstruct the Ming Dynasty North Sect Landscape Painting system.