Chinese Freehand Figure Painting Performance And Development

Freehand Figure in China is one of the manifestations of the portraits, an importantposition in Chinese painting. To China in the19th century of the Qing Dynasty, near theChinese society has undergone great historical change, the Chinese art of painting,impressionistic portraits is in great shock and an important turning point. During thisperiod, Freehand Figure behalf of artists any Bonian become masters of the impact sofar and can not be ignored.Ren Bonian impressionistic portraits development, the causes of personal paintingstyle is an innovation of this paper and the exposition center. Heritage by Ren Bonianfreehand figure painter living in Shanghai works, development, style and spirit of theCauses to painters through their own learning and unremitting efforts, do their ownunderstanding and inheritance of Chinese traditional impressionistic portraits of. Ownattitude to the social reality, based on performance from the painting works on thespiritual connotation on huubang attention on the relationship between new knowledgeand traditional, impressionistic portraits of Chinese innovation and development. Heopen impressionistic portraits of the new situation, and had a broad impactimpressionistic portraits development direction and aesthetics.This paper aims to painter Ren Bonian Freehand Figure direction of developmentof representative case studies to find the learning, innovative approaches to paintingpractice and explore...