Research On The Plot Patterns Of Ming And Qing Shen Mo Novels

Plot patterns is not unique to the mythical novels, however, the mythical plot of the novel modelhas unique characteristics different from other fiction genre. The mode of formation of these episodestogether the results the Ghost Stories own law of development, literary traditions, religion and culture,public aesthetic forms of communication, and many other factors. In the process of production anddissemination of the mythical novels, the plot patterns also play an important role can not be ignored.Therefore, the grasp of the plot patterns to help us more fully understand Ghost Stories From generation tothe dynamic process of recession.This paper is divided into five parts:Discrimination, the introduction of groups easily confused concept of "plot mode", the "narrativemode," Motif "In this paper, based on the concept of the" plot mode "is defined; combing predecessorsresearch results. This is the theoretical basis of this article.The second part of the analysis of the type of mythical fictional mode. Depending on the theme, fromthe overall structure of the mythical plot of the novel mode is divided into four types: Pursuit, monasticism,expeditions and subdue demons and evil forces class. Implication satirical hybridity works rich in content,narrative ways, did not show obvious plot mode characteristics.The third part of the analysis of mythical fictional unit mode type. Ghost Stories in the plot of somelocal unit is repeated use, constitute a the works relatively stable story. Among them, the more prominentso several plot unit mode: a battle of wits, test, reincarnation, liberate and traveled Hades.Part IV, mining mythical fictional mode multidimensional. As a prominent feature of Ghost Stories, the plot pattern formation mainly five reasons: First, its iconic motif in religion class story. MonasticismGhost Stories, plot mode contains descend to the world of ancestors and enlightenment to become immortal,immortality test, the Jishi these four the Taoist cents if Xiangyao motif. Second, the deeply Buddhistclassical teachings and Buddhist and Taoist literature. Ghost Stories in the theme selection often favoredBuddhist story selection on the characteristics of doomed the integral close relationship between it andBuddhism culture. Third, the continuation of the Dynasty novel Tang Dynasty Bianwen, Song and YuanDynasties literary tradition related content of the Yuan and Ming Dynasty. Fourth, communicators, themedia and the audience the guiding role of the mythical fictional setting. The printing industry flourished inthe Ming and Qing Dynasties Bookstore main profit-making, the psychology of the audience’s aestheticpotential creative mentality and the innovations of quick success together in the mythical novels, driving ittoward the road plot patterns.Part V, Exploratory Analysis on plot patterns Ghost Stories of the rise and fall of the relationship. Therise and fall of the mythical novels, the plot modeling both played some positive role also has its negativeeffects. Plot mode of creation, both conducive to the production and dissemination of Ghost Stories, thereare not conducive to innovations of innovation.Plot mode is the form of a "meaningful", it means that that it is the combination of a rich cultural andartistic connotation. Often able to see through the plot of the mode of an era of ethnic and culturalpsychological and emotional value orientation. Therefore, an objective understanding of the plot modephenomenon, conducive to grasp the cultural connotations of Ghost Stories, which will help expand theTheoretical System of Extended Ghost Stories, a reference to the development of contemporary novels.