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Introduction To Realistic Ink Figure Painting Art Language

Posted on:2014-01-04Degree:MasterType:Thesis
Country:ChinaCandidate:W LiFull Text:PDF
GTID:2255330401971284Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The art language and artistic outlook of realistic ink figure painting lies not only in the creativemethod and style show, the most fundamental is that the spirit of the "realism" which mixes the skills,knowledge, emotions together, use true feeling to express the spiritual aspirations. It is different fromthe concept of the traditional figure painting image modeling, but an art form which integrated intothe perspective of the principle of the western realistic painting rigorous modeling concept andsketch, and to be innovative on the foundation of stressing continuity characteristics of traditional inkpainting. The fundamental distinction between the traditional figure painting and realistic Inkportraits is the different methods of modeling. Realistic ink figure painting start rather late, less than ahundred years. In the form of art and performance practices by the West painting realism doctrineand reality ’of the New Culture Movement, some figure painters represented by Xu Beihong, JiangZhaohe who integrated West into China in the draw Western painting realistic modeling of theconcept of looking into a realistic modeling combined with traditional pen and ink style.“Xu Jiangsystem "has opened up a new situation in the development of ink figure painting, and formed acomplete set of painting and teaching system. Through the of generations figure painter practice andexplore realistic ink figure painting reached unprecedented prosperity. There have been a number ofaccomplished painters, such as Zhou Sicong, Huang Zhou, Ye Qianyu, Fang Zengxian, Liu Wenxi,Wang Ziwu; contemporary the strength of the realist painter such as Li Boan, Zhao Qi, Liu Guohui,Chen Yuming, Ren Huizhong, Bi Jianxun etc…….…While in-depth life, inherited learningtraditional Figure Painting, they combined with the realistic modeling of performance practices, andnew constituent elements in the picture, rich expressive ink figure painting driven Ink portraits inshape with pen and ink a corresponding change of the two aspects.With the era of progress, social development, realism ink figure painting is also in constantdevelopment, learn to draw a wide variety of art nutrition to enrich its manifestations, at the sametime of recognizing the need to integrate into perspective the importance of Western painting realistic and sketch, it also pursuits off the fusion of modeling the performance and pen and ink aesthetic,without losing shape accuracy while retaining the taste of traditional Chinese ink. Realistic ink figurepainter with its unique artistic language and personalized expression to express own life experiencesand ideas feel the social reality of the moment, focus on the exploration of realistic painting natureand seek the characteristics of artistic beauty, and formed a broad perspective of language. Sorealistic ink figure painting promote diversity development of contemporary ink painting portraits,and became one of the artistic expression of Chinese painting today highly concerned aboutextensively and most dynamic.The article mainly discuss at all levels of the realistic ink figure painting art language. Introductorypart presents the basis of the topic, the significance of the research methods and research. The thesisis divided into five sections. First, second part focuses on the concept of realism Ink portraits and itsformation and development, discusses the Chinese realistic Ink portraits positioning context throughthe integration of the development of Chinese and Western painting; The third part of the focus onthe unique nature of analysis and study realistic Ink portraits artistic language, discusses the impactplayed by the traditional Chinese philosophy of realism Ink portraits, and analysis combined with anartistic the realistic modeling languages and ink language aspects in the exploring of the twocombination, stressed that based on the character modeling and ink language compatible with thedevelopment of new angles, and realistic Ink portraits artistic spirit and cultural significance todiscourse; The forth part combined with representation of the artist’s works analyzed and discussedthe current realistic Ink portraits theme art style; The fifth part is the thinking and develop predictingof realistic ink figure painting art language, and combined with the experience of their own creativecognitive to find how to achieve the integration of modeling and ink in creative practice.
Keywords/Search Tags:Realism, Tradition, Modeling, Pen and Ink, Aesthetics
PDF Full Text Request
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