Northern Song Dynasty Landscape Painting North-south Regional

Landscape painting from the Five Dynasties to the Northern Song Dynasty landscapepainting mature person as its representative to the Five Dynasties Jing Hao, the NorthernSong Dynasty Guan Tong, Li Cheng, Fan Kuan, Guo Xi, the Southern Song Li Tang northernregional natural geographical, geological, geomorphological features of the North and theSouth the impactlandscape painting camp and to Southern Tang Dong Yuan and Ju Randescendant of Mi Fu, rice Friendex, as the representative of Southern regional landscapepainting camp, after the Chinese landscape painting along the north-south regional styleforward, the impact and the Statute of the development of Chinese classical landscapepatternand direction of a basic schema."Five Dynasties to the Northern Song Dynasty heyday of theregional style of landscape painting. Regional style of the Southern Song Dynasty to theYuan Dynasty landscape painting gradually declined essence of painting, landscape paintingbegan to focus on the development of abstract and idealized form of the landscape, but on thewhole is still not out of the performance of the real landscape.This article is from the definition of the ancient regional style of landscape painting, historicalcauses, artistic features, the era of the regional style of landscape painting rheologicalanalysis, document analysis, form the law and work analysis combined research, bygeographical landscape the definition of sexual style, historical causes, artistic characteristicsand the history of regional style of landscape painting rheological analysis and study, revealsa landscape formed by since the Late Tang Dynasty north-south regional style. On the onehand reflects the artistic style characteristics, on the other hand reflects the humangeography-based painting reflected on the cultural tradition and orderly context of traditionalChinese landscape paintings will continue to affect practice, highlights the painting internalculture.