Recorder Of Contemporary City And Female——Study In Ning Ying’s Film

Ning Ying was born in1956. She possesses independent creative spirit and started to be independent filmmaker since1990. She insisted on the depth of documentary creation concept, and the style is not static, her attitude is experimental exporting. From early objective record of style with "trilogy in Beijing", to the endless moving signs of "Perpetual Motion", to the black humor in "A surface B surface", we see all her passion in the film creation and real express towards her firm.Out the theme, based on the deep exploration with transformation on urban space and social problems, people’s living condition has been the object of attention and performance. This article first chapter with Ning Ying work’s creation time as the ordinate, use her change scenes in the city as the breakthrough point, exploring the city changes which the mystery behind:the lost people and the reconstruction of the social order; Second chapter from cinema to Ning Ying the appellation of "pioneer woman director", analyzed as one of the most pioneers of temperament director in China, her female images on the screen and Chinese feminist films help to express and explore in this field. The third chapter of this paper on the basic of predecessors’ research, more in-depth analysis of the art features of its performance and reality exist side by side. On the one hand is the art documentary language, long shot and the open end; On the other hand is a sign of black humor style, use the symbol and metaphor language.