Study On Thirty’s Left-wing Writers Novels "Prison"

The last century30’s, is in the Chinese history the turbulent times, the Kuomintang and the Communist Party thoroughly split, under high pressure in the policy of the national government, white terror across the various contradictions, China continues to deepen, people’s life miserable. In this time, prison became high-frequency words in this period, especially for the KMT and the politics of different left-wing writers and other members, prison is becoming as they prepare to face at any time. Which caused widespread concern and great influence, have left five martyrs sacrifice should be killed and arrested, Ding Ling to fix the arrest, Qu Qiubai was arrested and killed, etc.."The universal nature prison incident" aroused widespread social concern, become one of the era of political, cultural and literary topics. In this case, the left-wing writers the reality of "prison China" to make induction and reaction, in addition to their manifesto, direct claims and counter, also aware of the general prison phenomenon of this kind of "natural worth much attention" as an important literary theme, into her novels, drama narrative literature view, so that the "prison literature" has become a tendency, meaning bright unique left-wing literature phenomenon. Zhou Libo first noticed the phenomenon of literature, in the "1935review in prison for the theme of the novel" called "prison literature". So far, research on this literature phenomenon in30is still relatively small, based on the collected data, the definition of Zhou Libo on literature of the prison,"prison" Novels-to prison for fiction carding and interpretation of a full range of.This paper mainly through three parts to be discussed.The first part, through the introduction of the thirty’s era, realize the domestic political environment at the time of the complex and the sharp contradictions, while the Kuomintang’s autocracy and cultural repression, leading to the birth of the league, the league is bringing more writers in prison, and in the thirty’s, the prison became multi-frequency vocabulary in this era, prison literature enriched in this context.The second part,"prison" novels have distinct left color, exposure of the cell in the ugly they contain such strong criticism; in the prisoner’s story-and portray subject to prison, we see the heroic revolutionary heroic and firm, also saw the grievances and tears the bottom layer people; and in the criminal indictment in the sound, the reader’s horizon of development into the prison outside of the society, and accused the "official force people guilty of social reality, the regional prison which extends to the whole China, painted a picture of suffering "prison prison China".The third part, artistic features, the prison’s narrative has the following characteristics, as most prison writers have long or short prison experience, so compared to other theme, realistic novels have stronger prison, this is true to some extent reached documentary, recording the insider and the era prison aspects; in the cruel reality description, the novel also embodies the prison of strong idealism, such as positive leading the public to torture and fearless, conviction and to depict the future ideal world, weakening the threat of death, to shape the image of the hero Gao Daquan, and of the Soviet Union the image of yearning and so on, all reflect the degree of idealism; prison story has two basic modes:the "I" see, the conflict and contradiction, prison rulers and leading the ruling class and the prisoners here, ruler and leader is often cruel, greedy, cruel, by illegal means destruction and oppression, exploitation of the prisoners, the prison will be like plastic caused fierce a hell on earth, and those suffering from the ruined Even be tortured to death of people, but often is good, young, cute, innocent. This pattern can be more sharp criticism directed against the prison ruling class, so as to stimulate the reader’s anger and empathize; followed by contrast mode, this mode is the classification of prisoners, brave and cowardly traitorous two, through both the power contrast, extolling the heroic, condemned by the weak, to express the author of the oppressed against appeal.