Aesthetic Study Of Western Modern Horror Ceramic Art

Along with the rise of modern art, has been regarded as unrefined horror art into view again. This is a worthy of us to get to the bottom of the art form, not only for aesthetic research for human research. This article focuses on horror in the modern Western Pottery art, to modern Western terrorist pottery, for example, the combination of Chinese and foreign theoretical research, to explore the art of terror external features and internal value.The first chapter describes the formation of the modern Western terrorist pottery. Terrorist pottery is modern ceramics on the basis of the progressive development of a new style aesthetic, mainly by two factors, the first is from the continuous expansion of modern art in all aspects of contemporary society, potters gradual awakening self-awarenessThe second chapter mainly on the composition of the horror art aesthetic. Terrorist-this is quite a wide range of complex emotions, mainly composed of three basic emotions of fear, nausea and tension to form its core emotions accompanying despair, anger, pain and many other related edge mood. Inherent contains eerie mood is also an integral part of modern ceramics in the West. This type of art with its own aims is to stimulate the viewers heart emotions of terror, which between viewer and a subtle interaction.Chapter III, the specific analysis of terrorist pottery technique of expression. Different terrorist pottery and modern pottery, she has its own unique technique of expression, not deliberate pursuit of exquisite excellence in pottery techniques, the main emphasis on the artist self-expression and for the manufacture of terrorist emotional. Divided into three parts;, color and texture;2, the combination of extreme image;3, the use of materials. In particular, the focus of the second part, an integral part of the the extreme visual image is the terrorist pottery.Chapter mainly on the intrinsic value of the aesthetics of horror. Since the terrorist art bring people’s hearts fear, anxiety, nausea emotions, these emotions for the community, for the human self, itself the meaning and value of its intrinsic positive. He gave us a lesson, not by the humanoid ugly, on the contrary, precisely because of the existence of the art of terror, so that people feel the most contrary to life symbiosis exists-fragile and powerful., And the resulting shock value, the value of the value of the resistance to evil, and psychological pleasure naturally reasonable in the circumstances, for the social and human significance is self-evident.The fifth chapter is about the criticism of the modern Western terrorist pottery, starting from the two aspects of the favorable and unfavorable factors. About favorable factors contribute to emotional release and promote the development of pottery. The contrary unfavorable factors, mainly due to terrorist Art will make some viewers growth of extreme emotions, become a potential threat to social security.The final concluding section, about terrorist Art as an independent art aesthetics, is unique in the arts is definitely an integral part. Pottery, subversive, critical, fatigued the status of domestic pottery industry increasingly philistine, no doubt will be a shot in the arm. Thus, looking forward to this type of art can be understood and accepted.