New Independent Film:the Folk Swerve Of Chinese Independent Film

This article from the new turn of the century DV technology revolution and the resulting production phenomenon according to the medium of the macro environment of public image, this paper discusses the Chinese independent films after2000years in the mode of production, mode of transmission, the author identity and reflected in the folk writing horizon of the text in images to trend and transformation characteristics. The author used the new Chinese independent film interviews:folk image force in awakening the article puts forward the concept of "new independent film", in2000after the transition period of Chinese independent films are collectively referred to as "new independent film".Full-text is divided into three chapters, comprehensively expounds the concept of new Chinese independent films, to reason with a specific characteristic of Chinese independent film. The first chapter mainly from the DV technology to image the revolutionary significance of mode of production, the initial concept of new Chinese independent film makes a brief analysis, discusses the new independent films and Chinese independent films present a folk to trend during this period of historical inevitability, and in the third section on the relationship between the folk image and independent films to distinguish. The second chapter mainly from the author (producers) and two aspects of marketing communications respectively investigates the new independent film author identity, transformation, public transmission channel of the folk characteristics, and the new independent film author of specific groups, transmission channels. Early in the third chapter to independent film with the new movie "the underlying image" is taken as an example this paper discusses the new independent film folklore transformation trends of the author on the creative vision and specific characterization.