From The Culture Interpretation Notheast Jngko Dance "Elegance"

This paper selects has regional and artistic northeast yangko dance form of "elegance" as the research object, to collate found analysis research and current situation of ontology in Northeast yangko dance study comprehensively through to the Northeast yangko dance literature, study on single part has some opinions, but in considering the relationship between reference and local folk art of Er Ren Zhuan before the development, and how from the dance duet unique performances absorption elegant part, and how will the elegant form of amplification, become the core part of the Northeast yangko dance of the essence of the development is still not systematic and comprehensive, so in order to fill the gap in this field, this paper will be titled "from the cultural change the Northeast yangko dance in the interpretation of the" elegant "characteristics", by comparing with the historical evolution after the Errenzhuan, analysis of the Northeast yangko dance evolved from Errenzhuan draws on what elements, finished what "elegant" change, but also in the classroom teaching and how to discard the dross and select the essential heritage, so that the Northeast yangko dance in terms of cultural cognition own or from the public aesthetic attributes have improved, A representative and promotion role for the construction of the Chinese folk danceThe full text is divided into four parts:the first part mainly writes the "grassroots" culture basic cultural connotation, began to change on forming, the grass culture from two aspects of cultural traits and cultural change, the fusion of other art forms a suit and the common people, the vulgar Toya art form. The second part through the comparison of the performance form and props application of Errenzhuan and northeast yangko dance on, analysis both in reference and a fusion of nature and personality. The third part mainly writes the Northeast yangko dance in the "elegant" after the change of the unique aesthetic attributes, including hearing and visual impact on the flavor. The fourth part is mainly about the aesthetic significance of "elegance" after the transformation of the Northeast Yangko dance. Through deep analysis on the change of aesthetic attribute of the Northeast yangko dance elegance after starting from the philosophy of aesthetics, that elegant after the change of northeast yangko dance works is to inherit and enhance the social aesthetic culture, but also is the inevitable trend of development of the Northeast yangko dance, so as to enhance the public to the Northeast yangko dance aesthetic understanding and aesthetic needs.