The Jiang Wen Television Creation Specialty Research

Jiang Wen’s work are never be disappointed from whether his movies or his books. Recently, some content is of his new book names 《ride a donkey while looking for a horse》 which is called a sequel on paper of the film 《Let the Bullets Fly》 is exposed, we have to lament that it is too narrow for Jiang Wen as a genius director or a genius actor, he is a genius creator collecting with philosophy and aesthetic thinking. As a director, his film has its own personality in aesthetic style and language text connotation of the lens. In today’s creative environment, the conflict of creative personality and originality is a survival predicament for Jiang Wen to face. Director Jiang Wen’s four films adapted from China’s contemporary fiction, in the adaptation process, whether in full accordance with the original or reshaping of the task image. We will summarize his respect and beyond of the original, study the adaptation strategies of Jiang Wen’s film, reflect on the question of how to get the nutrients from literature works. As a modern auteur, Jiang Wen’s film formed an unique personality traits in aesthetic style, the meaning of the text, the language of the camera and so on. Nowadays, surrounded by social consumption context creation, how to resist the creative personality and originality personality marginalized by the market has been a question for directors to face. In art movies, because the director dominate in their creative process, the work shows a strong personal sense of creation, Jiang Wen has his own style in both of the work he directed and he acted. His acting skills are profound, his directed work is impressive, and also has a certain aesthetic value and aesthetic significance. The article is divided into five chapters, in-depth study the creative features, images characteristics and cultural values of the films of Jiang Wen.