Jiang Wen Film Post-Modernaesthetic Characteristics

With the globalization of culture, postmodern film rapid development in various countries of Western postmodernism movies from the20th century, the Chinese film produced a more significant impact, many of the director’s films largely embraced the Western post modernist narrative film and image rendering means showing respect for cultural sensibility, deconstruction central authority, rebel grand narrative of spiritual content.Jiang Wen, director of the outstanding ability to innovate, with new things affect sensitive qualities deeply by the influence of movies Postmodernism. Jiang Wen’s film, whether it is the power words "sunny day" alienation,"Devils on the Doorstep" national character analysis, the unique structure of "The Sun Also Rises" to "Let the Bullets Fly" black humor, his films are undoubtedly postmodern aesthetic features, this creative style as a director in the film that runs through the most important personal style. If you look at the eyes move from the overall local, you will find there are many common elements in Jiang Wen’s four films, one of which is:deepen the theme of the key points in each film will be the story of a carnival, Second:the tragedy consciousness and spirit always go hand in hand, and his film is a "Farmer and the Snake" story, or lead the movie "Dream dream clues; Third:black humor audio-visual language Jiang Wen movie character.Jiang Wen film’s significance is to provide a new perspective of the National Cultural Psychology, innovative film elements, breaking the the Genre creation mode, a fresh feel to the audience, whether it is given to the film’s narrative mode, sound effects or environmental modeling; Jiang also filming process, constantly seeking Videos artistic and commercial balance of his films show his sincerity, not only focus on the art of the film character, has found a market recognition in their own way.