| Manchu is one of the minority with a long history in China, once as the rulers of the Qing dynasty, is the second in the history of Chinese establish a unified national regime of ethnic minorities, in China’s politics, history, culture, architecture and folk art and so on are all left a deep mark and influence, they have been done for the prosperity of the Chinese nation and national unity of his own contribution.Manchu is an ancient nation, Manchu gave as early as the Xia, Shang and Zhou era in history, according to the ’people, generation living in between "one" in northeast China. The Manchu culture has experienced a long historical process, in the process of the development of a variety of culture mutual fusion formed its own unique characteristics. Under the culture condition, the Manchu traditional architectural form has experienced the stages of development, from the oldest summer nest, winter order hut cave form of survival to the soil, to the emergence of the courtyard and architectural form in mid and late qing dynasty. These buildings not only has the typical Manchu architecture, and absorbed the han, Tibetan, Mongolian and other ethnic culture essence, and the integration of a variety of building art gimmick, ancient made a cross in the history of architecture, also left a precious material cultural heritage for future generations.Study of Manchu architecture decoration art has the strong representativeness and practical value. Building decoration is an extensive and widespread phenomenon of culture and art, history and culture of different age were left profound "stamp" in the building, the marks in addition to retain in the structure of the building, there are a lot of information aggregation in the decoration of architecture. Construction of carve, pattern, color, etc., will become our analysis and understanding of architectural style, class and cultural background of vital information.In this paper, the main representative in Liaoning Manchu Shengjing imperial palace building and Qing Yong ling conducting field research as the main line, Manchu dwellings, such as information collection. Through a lot of literature and collection of image data, and field survey, the Manchu adornment art analysis extraction, from the influence of Manchu traditional local-style dwelling houses building regional environment, space organization, and then to the Manchu palace building decoration, decoration pattern and decorative colors and materials research. To understand the bearing’s history and culture, to further study provides comprehensive and detailed information, in the field of the loss shall be timely added. And tries to discover some protection measures and methods for the Manchu architecture decoration art, and how to inherit and carry forward the traditional reasonable ingredients to provide the corresponding exploration and thinking, the last hope that through my research can provide reference to the Manchu decorative arts development. |