Qing Dynasty Inner Mongolian Region Ju’ud League Mongolian Women Head Ornament Structure And Culture

Qing Dynasty, Inner Mongolia Zhao Wuda area Mongolia women’s headdress as a treasure of Mongolia women’s headwear culture, both hairpin type and chain type，two kinds of style headdress in the structure, pattern, aesthetic value and materials, technology has a strong ethnic characteristics. The women’s headdress mode of production,political background are inextricably linked at Inner Mongolia Zhao Wuda area in the Qing Dynasty, the geographical environment in Mongolia grassland people evolved from generation to generation also has a close impact on it.In this paper,using field survey and literature, the image, analyzing the Liao, Yuan and later period in Inner Mongolia,Zhao Wuda area women hairpin, beads shape the evolution of the headdress, hairpin and beads headdress prototype that has emerged in Zhao Wuda area Liao dynasty; each historical period, the evolution of Zhao Wuda area Mongolia women’s hairpin, beads headdress shapes constantly in Yuan dynasty; to the Qing Dynasty, Zhao Wuda area Mongolia women’s headdress shape has been finalized, craft level is improving, become the peak period Mongolia women’s headdress art.Hairpin headdress and beads headdress are two kinds of typically Qing dynasty Zhao Wuda area Mongolia women’s headdress. Although the two kinds of headwear materials materials, production tools, through the analysis, in the Qing Dynasty at the Inner Mongolia Zhao Wuda area style hairpin headdress, pattern, process included Manchu women’s headwear culture elements, characteristics and in the Qing Dynasty in Inner Mongolia Zhao Wuda area beads headdress more preserves nomadic Mongolia nationality.Mongolia women’s headdress also reflect Social status and identity, class of the woman wearer, reflecting the Mongolia women have equal rights with men, family economic status equal cultural customs, represents a variety of etiquette is closely related with the different stage of life.