The Whole Song Ci Fifty-nine To 60 In The Six Ci Studies

Ci is a very important literary form on the history of Chinese literature. Someone hadresearched on it from its beginning. These wide-range researches generated a lot of researchachievements. Until now, the focus of relative researches is still the culture of Ci. The rhymespectrum of Ci is less researched, incomplete, and error-prone. Aiming at this situation, this thesisconcentrates on the lyrics of fifty-nine words to sixty-six words in the book Quan Song Ci byTang Guizhang as its research object. By labeling the system, analyzing the spectrum and rhymesand comparing with other works such as Ci Pu, the thesis finds out the similarities and differencesin order to compare with others easily.On the basis of absorbing the predecessors’research achievements, this thesis uses statisticsmethod and exams the rhymes to analysis and study. It is divided into four parts:The first part is the introduction. It mainly introduces Ci, shows the discussion of the originin the academic field and indicates its view and introduces the source of the names of the Song Ci.It also analyses the current research situation and the research direction of Song Ci, pointing outthe shortcomings of previous studies and pointing out its research direction and method.The second part is about the research on the Ci lv, which are fifty-nine to sixty-six words.Using infinitely means, the thesis finds out all of the lyrics in Quan Song Ci which are related tothis paper. Through the comparison of different versions, we confirm the final analysis. As thechosen poetries, we mark the sound, rhyme and tone. We also compare the lyrics of the sameepigraph; analyze the level and oblique tones to obtain the epigraph of each Ci and Ci lv. This partis not reflected in the thesis, but it is really very important preparation for it. It introduces theepigraph one by one in the form of words and lists the lyrics which don’t meet the standards andthe reasons. It shows the number of words, the first number and rhymes of the epigraph in theform of a table. It marks the standardized and variant forms of lyrics and gives examples at thesame time. Finally, comparing with Ci Pu and other important academic rhyme books, it finds outthe similarities and differences in order to compare with others easily.The third part, as the Quan Song Ci of fifty-nine to sixty-six words rhyme study. ToGuangyun Sixteen taken as the key link, the seventeen names of the tunes of the research within the scope of the analysis one by one, in the form of chart display with rhyme, in the form of textanalysis of the names of the tunes of rhyme, and compared with the previous research results, findout the reason why the previous rhyme, as well as special cases.The fourth part summarizes the usage of the epigraph in the seventeen lyrics whichconstitute the research scope of this thesis. And it displays it in the two forms. The first form isspecific conditions of these seventeen epigraphs, such as the epigraph of names and the number ofthe authors; the second form is the summary of these seventeen epigraphs. It notes the musicalsound of each of the epigraph. Finally sum up in the form of text.The second and third parts of the paper are the core. These parts focus on the shortness of Ciin the previous research, the inaccurate position of rhyme because of the inaccurate pronunciationthe inaccurateness of Ci lv led by the level and oblique tones or rhyme and the inaccurateness ofthe standardized and variant forms of lyrics. Lyrics in each epigraph have been rigorously checkedone by one according to the Quan Song Ci to ensure that each epigraph contains all the lyricsbelonged. While the phonology of Ci is based upon Song Ben Guang Yun, supplemented bymanual annotation of speech and labeled on the premise of fitting the meaning of the Ci. Theseensure the correctness of phonology.