Shallow Theory Frame Structure And Material

This paper talk about the relation of plane composition and material aesthesis in the painting. The essential theme in modern and contemporary art is the research of painting structure. Then we understood the whole meaning and limitation of painting. Because, the painting is time-consuming and inefficiency as the medium of religious publicity or taletelling from the coming of photograph time and development of the paper medium.Therefore, edouard Manet, Paul Cezanne and Piet Cornelies Mondrian let us to know the basic aesthesis meaning in the plane. From then on, the meaning and the function of the painting is evolution, and then change the seeing way of people to search: some story when they look at a painting.However,the steps of art creation will never stop. We had to change our way of seeing again. Because we realized material aesthesis from impressionistic artist pile up oil colours on canvas to stimulate our vision to the collage of Pablo Picasso.So I think there are some tight relations between the properties of a substance or object and the painting glamour or not. Based the awareness of colour equate object, we explore plenty of unconventionality painting material. Those materials make our painting works more extraordinary and outstanding than using tranditional sculpt method and colour.In addition to this, using mix material help us understand structure on two dimensions intuitively. On the contrary, rigorous painting structure let our study the meaning of rational work ways. Then.the perfect plane arrangement offer us the solid standards of painting.But, opposite, new fashion is a threaten to the essential theme of the painting. To some degree, this is dangerous to ignore the significance of painting structure or exaggerate the strength of object. In the end, these kind of works are neither device art nor the painting because of the fault on the plane.At the end of this paper, I provide some method to enhance the understanding of painting structure.And meanwhile, accumulate the work experience of material painting.