Theory Of Prints "plural Sex Differences In Characteristics In The Creation Of Value

The first chapter explains the concept of "plurality" in printmaking. Teacher. Xu Bing brought up that "the artistic significance of plurality" perspectives to study the differences of "plurality’ that may exist in printmaking. The second chapter focuses on the development of the printmaking history influential artists and printmaker who had "plurality differences" which explained in their works. Chapter three was analyzed the differences in those works of printmaking history through the form of tables, and also explain my works as well. Chapter four explore through the identity vs diversity, Deleuze’s (Differences and Repetition) and Benjamin’s "Age of mechanical reproduction works of art" to prove the "plurality differences" characteristics in the creation which has the aesthetic value. This essay involves the discussion of the characteristic of printmaking "plurality differences", based on the fundamental understanding of the concept of traditional plurality of printmaking. From the "handmade" point of view, the combination of timing characteristics and spatial thinking linked to the theme, by using the "plurality differences" in printmaking during creation. Also seek for expansion possibility of the contemporary printmaking.