Hong Kong Screen Of Mainland China

Since1997, Hong Kong has returned to china for more than a decade. The Hong Kong Culture has happened to trends and the Hong Kong people psychological occur subtle changes in the underlying, which trend is rendered as to gradually narrow the psychological distance with the mainland. The goal of this study is to find and confirm this change by analysis Hong Kong film which made before and after the reunification, and analysis the causes and conditions of this shift, as well as the significance of its occurrence, in order to glimpse the new mode between Hong Kong culture and Chinese mainland culture. In this paper I want to find the reasons for the cultural development trend in Hong Kong and the psychological change of Hong Kong people after the reunification in the study by mainly describing the downturn of the Hong Kong films in the1990s. Hong Kong Film’s downturn during this period doesn’t mainly due to the decline of its own vitality, but mainly subjected to external negative environmental impact. And on this node, the Chinese Government supports Hong Kong as well as it can, whether the policy tolerance or economic assistance. Because of it, Hong Kong people can take from the doomsday mood, it also becomes the original driving force to change of the Hong Kong Cultural attribution after the handover.To analysis Hong Kong people psychological changes, the paper used the cultural theory as a framework, and the analysis of the strategy as exemplified by the film. The cultural theory is mainly related to the post-modern cultural theory and the post-colonial cultural theory; The film analysis mainly to analysis the film landscape, image and ideology, which helped to illustrates the changes of Hong Kong culture after the handover under the influence of mainland China.This paper has three parts. First is the nationality and identity. In the historical view of the cultural identity under the command of the rheology of the people of Hong Kong cultural identity and ethnic identity, we were able to observe and analyze the tremendous changes caused by the handover of Hong Kong people in the external environment in which to stimulate its own cultural identity attribution of thinking deeply, this thinking and looking for efforts in consciously "after1997" Hong Kong cinema is a major element to be highlighted, especially in the Hong Kong people waiting to see the continental scene. Second, from the perspective of time awareness and spatial awareness, imagine the changes occurred after the handover of Hong Kong people a sense of history and the space itself and the mainland. Time and space constitute an important means of two basic elements of narrative film, the film ideographic.1997return to this unprecedented time of fracture especially in Hong Kong society, Hong Kong movies, experience and awareness of time and history has become increasingly sensitive, it is easy to appreciate from the Hong Kong people the spiritual world and the shift in consciousness. On the other hand, Hong Kong as a global native city, showed a significant post-modern characteristics of Hong Kong movies1997cracks can not relax on the experience of time concerns, in the context of post-modern culture, Hong Kong The movie will still be space on the same time are equal, even more important position, and more cultural concepts and realities emotional perfusion which. Third, ideological re-construction. The new theory of ideology, ideology has a dual nature, it was decided, and it is to be determined. From this level in terms of social environment and personality status, demonstrated in the Hong Kong Film is about the ideological framework, but in another direction, the tendency of the performance of the Hong Kong film also shows a re-construction of contemporary Hong Kong people awareness the efforts of the form. Post1997of Hong Kong film people nostalgic film in the form of state close to mainland lifestyle and human, in fact, can be seen as a political tendency of identity, an ideological reconstruction. Elaborating on the significance of such change, this article attempts to come to the conclusion isinevitable in Hong Kong after the handover is injected into the imprint of China, more and more the performance of a Chinese identity, after all, spawned the development of exchanges of Hong Kong and the Mainland The new model, the same root culture in a different course of development ultimately to blend and hand, which not only reflects the strong vitality of the Chinese culture, the cultural development of Hong Kong will also have a positive effect.