The End Of The 19th Century A Comparative Study Of Junior High School In The 20th Century Western Enamel Jewelry

In the late19th century and early20th century，China and the West is in the rapid maturityof the feudal society of the Qing Dynasty and the second industrial revolution of capitalism,freedom of thought and industrial civilization to bring culture and arts of colorful, new artmovement that is popular in this period the artistic trends of the European continent. Enameljewelry of Qing Dynasty and Art Nouveau have some differences in craft, decorative themes, artstyles and cultural charm. Although these two periods using the enamel of this material, but thetechnology, mainly silver Qing Dynasty are often selected for tire silver enamel, while the period ofthe most representative of the Art Nouveau movement is using Plique A’Jour. Decorative themesof the Qing Dynasty jewelry mostly auspicious shapes and patterns of everyday popular boyimage, such as the plant inside the plum blossom, peony, animal, fish, bats, characters, items,vases, Ruyi. Art Nouveau movement jewelry is derived objective, vivid natural images. Aestheticneeds, the Qing Dynasty, jewelry and more focus on images of auspicious meanings and folksymbols, new art movement design is based on the performance theme lines and the beauty ofthe shape posture. Both the "meaning" and "re-shaped the whole show, sustenance to pray thewishes of the performance of different aesthetic taste. This conservation with social and culturalorigins of the East and West, ancient and modern two different time and space, reflecting theirdifferent artistic trends and cultural traditions, contains a wealth of information of art history andthe ideological and cultural enlightenment, deserves our serious summarize and draw.