The Aesthetics Characteristic Of Chinese Left-wing Films In The 1930 S

About the Chinese film aesthetics, we should first consider theculture property of Chinese film aesthetics. There are two aspects,which are the profound imprint of Chinese traditional culture and thedistinct spirit of the times. This spirit of the times are not only related tothe Westernized form of film and television, and the continuousdevelopment of industrial and cultural development but also closelylinked with a certain historical stage of the mainstream culture. Theirmutual influence and mutual integration are precisely the formation ofthe unique personality of the Chinese film aesthetics.Although the left-wing movies followed the traditional film narrativeand performance strategy, their ideological point of view is completelyreborn. It also the main factor be concerned. The social motives andcultural motivation formed behind the left-wing film is what we mustgive to contemplate when we described the film culture. Therefore, wecan make a real and objective interpretation of aestheticcharacteristics.This paper begins the study from the background and aestheticcharacteristics of the1930s left-wing movie. It analyzes the first goldenphase Chinese film development process, which has the uniqueaesthetic characteristics. These aesthetic characteristics are mainlyconcentrated in the film content, narrative and its artistic expression.The left-wing film characteristics on the content mainly in three aspects.First is to focus on social problems, critical realism; the second is basedon the urban life; the third is focus on Chinese traditional culture. Thecharacteristics of left-wing film in the way of narrative is the aestheticcharacteristics of seeking truth and realism in line with modernaesthetics. And it does not evade the tragedy and breaks through thedrawbacks of traditional Chinese tragedy. It has the narrative modeand the popularization of the populace, popular, rustic style ofnationalization. The fourth character is the integration of the narrative oflove and revolution. In its artistic expression, the aesthetic characteristicsare mainly concentrated in the heavy, infectious dramatic conflict,emotional and full of romantic temperament and the poetry scene and language.In short, the Chinese left-wing film is rich of tradition ethnic cultureestablished in the1930s and follows the trend of the times. It is uniqueartistic style of compatible complementary and wide income. It gets ahuge achievement for all to see. The aesthetic characteristics of theleft-wing film can not be confined to the movie itself, but should becombined with the comprehensive judgment of their background. Asan ideology, the left-wing movie film is also a complex culturalphenomenon in the commercial behavior of wrapped presents which isan unique film development stage.