Lost And Transition Of Female Writing Growth

This thesis traces youth subculture and the social history background from worksof generation after70s through the analysis of the concept like youth subculture, femalewriting and body writing based on a lot of texts of representative female writers after70s, and exposes the cultural relation between current youth subculture and the works offemale writers after70s; makes sure the after70s female writers’ accept of youthsubculture and their obvious relation, then discusses the multiple topic content of femalewriters after70s for youth subculture. Based on these, the author explains the after70sfemale writers’ art of writing with the influence of youth subculture.This thesis is composed of three chapters: introduction, main text and conclusion.In the introduction part, the author introduces the development of youth subcultureand the accept experience of female writers after70s and their art of presentation andverifies the base and significance of the theme.In the first chapter the author traces youth subculture and the social historybackground from female works of generation after70s through the analysis of conceptof youth subculture and female writers after70s. The statement is proposed that youthsubculture is the cultural source and the most important spiritual cultural root of theworks of female writers after70s, which is always present–dominant or recessive.The multiple topic presentation of female writers after70s on youth subculture isdiscusses in second chapter. The key lies on the subcultural spiritual feature in theworks of female writers after70s and the summary is made that the works present sometendencies such as the full presentation of body intuition, the telling of growth pain andgetting lost in bustling cities. There is also the comment on their deep exploration onexperience of body, city and fashion and the unique text meaning.The writing feature of female writers after70s with the influence of youthsubculture is interpreted comprehensively in the third chapter. The art writing features like autobiographical writing, unique language charm, sound maze and visual cycloneare summarized from microscopic narrative, sensual culture and so on.In the last part the conclusion is made, proposing that the works of female writersafter70s present vivid flavor of times and spiritual symptom and advocates freedom,openness and independence but meanwhile mediocrity, vulgar, perceptual, lost andimitation appear as well in such social history background as changing of economicsystem, social structure and the adjustment of interest pattern. Nevertheless as theproduct of direct times, female writers after70s become an art mirror of certain timesand certain life because of their art presentation of China current youth subculture, theirawaken of life awareness, their vent of “id”, their romantic promotion of secular lust,their reassessment of life value and their exploration of life significance. It is worthy ofappreciation, recognition and criticism.