The Culture Of The Chinese Figure Painting In The New Period

HuangZhou is an outstanding representative of the Chinese painting in20century, the originality of his will sketch into the creation of traditional Chinese painting, opens the new period figure painting pen and ink paradigm, has boosted the Chinese figure painting the development direction, broaden the of the traditional Chinese painting art expression of the language. Any drawing art development is inseparable from the traditional to the inheritance and the social practice and nourishing. After the founding of new China, traditional Chinese figure painting in the innovation process was developed, and the painter are fulling of sense of responsibility in this period. Among them, HuangZhou’s figure painting cultural factors and the performance of the proper social themes for contemporary painting provides a good case of creation.Since the reform and opening up, especially "85trendy" later, the young painter economist devotion to art form of new, strange, strange, gradually departure from traditional figure drawing tradition. Blind for innovation and the cultural background of the strange from nourish, from the social responsibility and art responsibility. And this a result, figure drawing more and more from reality, more and more have no national bearing.Chinese painting stretch for2000years, its tenacious vitality that is tradition, culture that is the responsibility. Mr. HuangZhou’s art changed from traditional, his pen and ink format innovation is in the good traditions of the basis. And just is the most precious thing in the painting, which is now exhausted.This article to HuangZhou figuration in based on the analysis, the cobwebs, analyzes its artistic innovation in the origin, and directly to the special characters status quo, reiterated that culture plays an important significance.