| This paper is mainly through the consolidation of the old man’s printed on white stone material, combined with its seal works to analysis the old man in the practice and innovation on the seal cutting. Qi baishi Chinese seal is the history of the first modernist school master in poetry, calligraphy, painting, printed on reached very high levels. Since the Ming and qing dynasty, seal cutting has an unprecedented development and prosperity, and a lot of famous, les genres, appeared DengShiRu, WuXiZai, ZhaoZhiQian, HuangMuFu, WuChangShuo etc seal cutting the master, the old man of white stone carving is in such environment of the rise. The old man walked is epoch-making of innovation, is reflected in the/"dare to only made/" spirit of innovation. This paper is divided into five parts:the, sort of the old man’s printed on white stone materials, including seal BianKuan, signature sages’works, the teachers and students of hand print collections of poetry, and diaries, letters, etc. Two, three, four part is the focus of this article, is mainiy by analysis of white stone old man as basis printed with schools in print their views, from Zhuan method, the knife method, discusses the old man kept in seal cutting innovation. In the study of ding, yellow zhejiang pie and ZhaoZhiQian, old man wu arrived, qin dynasty and han dynasty people honesty is natural appeal, and learning from the/"three mountain king diyi tablet/" of primitive simplicity of plain and clumsy, and boldly, Zhuan nationalities, regular script into seal surface, thus into the ancient new, Zhuan law having a unique style; The old man with the knife, avoid stirring exhibited dew, ashamed to carve, decorate, the sword and importance to ink interest. The composition and the general chapter, the tablet form fall the change that board, strewn at random have the natural effect, to slash the application in seal surface and a red, border of the processing also reflected the old man kept in the innovation and the breakthrough. Five for epilogue parts. |