Lisu "o Foot Wooden Scrape" Dance Ecology Culture Research

LISU of traditional song and dance "wood scrape," also known as "wood scrape wow" is the LISUlanguage, "feet" or "goat", "wood scrape" is the meaning of the song or tune, "wow" todance.Full-sentence means "dance of the goats", belonging to the collective dance of amused himself, inweixi County LISU traditional song and dance "wood scrape" in 2006 were included in the first batch ofnational intangible cultural heritage list."Wood scrape" is the true picture of LISU history. "Wood scrape"with warm bold, rugged powerful dance vividly reflects the LISU people of nomadic, hunting, collecting,history of slash-and-burn process.LISU is the national passion for hunting, the habits of various animalsare very familiar with, especially in the long process of migration, clothing, food, housing, andtransportation of the LISU people threw himself into with goats.On Weixi County non-leaves song and dance in this article "wood scrape" Anatomy-analysis, effecton the natural environment and the social environment on the dance form, exploring their dance in thedifferent cultural aspects of living conditions, analysis of the LISU ethnic dance "wood scrape" is amulti-level complex of cultural connotation.Testing revealed the LISU ethnic song and dance "woodscrape" the deep cultural structure, and noted the emergence and development of traditional folk songsand dances, dance related to the ecological cause has played an irreplaceable role.I hope through thisresearch, promoting the LISU of traditional song and dance "wood scrape" in a smooth succession anddevelopment in modern society.This paper includes four major sections.The first part is the "foot wooden scraper" describes theliving space of the dance.First traced its origin, and then to analyze the cultural elements in the form ofdance, last portrait, mainly on "wood scrape" dance dance with this minority and other ethnicrelationship.Part three in the first two sections of the summary of research carried out on the basis oftheory.On its performance, style, features and analysis of cultural connotation refracted by thecontent.Part IV is the methodology proposed, through field investigation analysis on the present situation,combined with the "wood scrape" development status quo and protection of heritage, carding summaryon that part.Finally on "wood scrape" prospects for the future development of the dance, and according tothe research findings have made constructive measures.