Traditional Chinese Painting "pen" Problem

The "pen" not only is a major feature of Chinese painting，but also is a majordifficulty.Chinese painting "pen" not only refers to the tips of the painting tools, butalso refer to the traces of stress generated when the pen move."Pen" has always been ahigh priority by Chinese painter, the theory and practice of Chinese painting "pen"experience can be seen in many Chinese painting theory literature, some painter evensaid " pen eternal "(Zhao Mengfu). But with the progress of the times, the aestheticideas of the traditional Chinese culture has changed.Terms of the language of Chinesepainting of pen, people know it is in addition to traditional classical interpretation andapplication of mode, has new expansion and extension,many contemporary artists interms of tools, materials, techniques, and the concept of innovation has greatlyexceededthe scope of traditional brushwork. Four aspects of the development trends inthis article use the literature of the history of painting is known, other methods ofimage analysis and case comparison to the basic characteristics of Chinese Painting"pen", the "pen" method, the extension of the "pen" and "pen"clues to explore the threeconclusions:Firstly, regardless of inherit traditions, or develop, the "pen" must betaken highly seriously. Secondly, Chinese painting "pen" has its own specialty in theperformance of method, which is mainly reflected in the Chinese painting links anddifferences of the "pen" Western painting "pen"; The blood telationship of ChinesePainting "pen" and Chinese calligraphy "pen", both "pen" methods and innovativeapproaches to extend the relationship,"pen" with tools and materials in work qualityand type of direct contact. At last, Chinese painting "pen" in the development processto penetrate the New Year and blue and white porcelain painting, folk art, showing thestrong vitality of the Chinese painting "pen" concept, making use of a brush on thedifferent materials showing a personalized, common and extended sex.The innovation of this paper is: Firstly, The effect of Chinese ink pen to otherkinds of painting, especially abstract study of the Ming and Qing Dynasty blue and white porcelain painting pen; Secondly, the contemporary Chinese painting innovationand a pen in explore.