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Analysis Schuhmann’s "Dithterlieb" Of The Music Elements And Singing Experience

Posted on:2014-02-27Degree:MasterType:Thesis
Country:ChinaCandidate:F WangFull Text:PDF
GTID:2235330398999451Subject:Music
Abstract/Summary:PDF Full Text Request
This paper is divided into three parts to elaborate how to processing andinterpretation of " Dichterliebe " this work, the first is the creation background,mainly through the study of Schuhmanns creation of space and time, thus to thefeelings of the composers inner world, in order to better understand the creativeintention and singing in front of the sensory experience, second part of the mainanalysis this divertimento from the music ontology, mainly through a large number ofstaff to three elements of musical harmony and piano accompaniment to carry onthe analysis, the purpose is for a better understanding of the composers creativeapproach, in order to better grasp the music style. Third aspects are mainly from thevocal music art, mainly from the personal subjective singing experience andexperience of the angle, from the "word "," voice"," emotion" in three aspects,mainly related to the technical level and feelings singing and difficult processingproblem; hope that through the above discussion in order to improve the objectiveto singing level and artistic accomplishment.
Keywords/Search Tags:Schuhmann, Dchterliebe, harmony, musical form, chromaticism, piano accompaniment, word, voice, emotion
PDF Full Text Request
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