| In this paper, we take Still Life as an example, a deep analysis about reality concern of film products of Jia Zhang-ke is carried out. The content of the essay is divided into four parts. The main clue of chapter one is the rise of films of Jia Zhang-ke, and the main attention of his films about human being and reality, resource of his attention and the disadvantage of his products are discussed. Besides, the difference of this film and his other products, the difference of his products and the films of The Fifth Genaration are also discussed. In chapter two, we compared Still Life with Jia Zhang-ke’s former works and analyze it in some aspects, including scenes, roles and various imageries in the movie. Finally, it is in sight that the feature of his work’s concern on reality comes out. In chapter three, Still Life is still used as a representative work of Jia Zhang-ke, and the subject involving in wander in his movies is discussed by comparing this movie with his former workers from audio-visual style aspect. In chapter four, the practical significance of films of Jia Zhang-ke in the background of consumer culture is discussed. Besides, the concept and significance of consumer culture and its impact on movie value, the stereotype of movie marketing and the deficiency of movie content are also referred in this chapter, thus the impact of Jia Zhang-ke’s works on the films of domestic and overseas can be revealed. |
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