The Study Of Hirokazu Koreeda's Cinematic Reality

Hirokazu Koreeda has attracted the attention of the international film circle since his film creation in 1995.His film creation not only inherits the fine tradition of Japanese films,but also has universal significance about the themes of life,death,memory and loss.This paper studies the realistic expression of kore-eda hirokazu's films by taking kore-eda and all his films to date as the research object.In hirokazu kore-eda's film creation,the director pays attention to individual life and explores themes in real life.Through the depiction of daily life,the director understands life and death in family and tastes humanity in society.Death is the reference of life,and in contrast,life is more meaningful.Under such a narrative theme,hirokazu kore-eda USES the way of life flow to construct rich and delicate plots,to construct traditional dramatic conflicts,and to construct fragmented plots full of daily life,so as to realize the reality of film narration.In fact,it is hirokazu kore-eda's mirror language system that conveys an objective,calm and restrained attitude.This expression attitude towards real life gives viewers an independent thinking space to face the real life reproduced in the film.The use of long lens ensures the integrity and continuity of time and space,and records the movement and emotional changes of the characters.The distance brought by the long lens makes the audience look at the film with an on the sidelines,thus achieving a good separation effect.At the same time,hirokazu kore-eda is positive and optimistic about the reality.The "one-family" panoramic shot and the presentation of symbolized image express the director's open-minded and tolerant attitude towards life and satisfy the audience's demand for the beautiful reality in the way of film.Finally,the general view is the film works of kore-eda yu-ho,which depicts individual life in detail,actively talks about people's spiritual reality,explores people's inner anxiety and emotional deficiency,and tries to make up for the lack of traditional family by constructing modern family and cultural imagination of family.In this respect,in his realistic expression,kore-eda shows humanistic concern,infuses the annotation of The Times,pays attention to the contemporary reality,and creates realistic works with contemporary texture and dialogue with The Times.