On The Religious Connotations And Folk Custom Of "God Of Wealth" Of Guanyu

Guan Yu，a famous general of Liu Shu, since the date of its body anddeath, however, he seemed already doomed its different from the fate ofother historical figures go, start their God by the people and historyof the evolution process. Today, after the multi-cultural dip feedingacross dynasties and political interference, while accepting the worshipof Confucianism, Buddhism and the inherent confluence of Guan Gong hasbecome an important component of the Folk Custom in Chen Shou’s "ThreeKingdoms" Pathetique Hugh life Guan Yu is still almost a thousand yearsto accept the worship of the faithful. Worship, the worship of the "Offthe God of Wealth" knew Guan Gong worship, and then check the parametersliterature, Guan Yu, God of Wealth of identity rather "know and not knowwhy," means that no absolute authority Of. In fact, as early as thebeginning of the last century, Guan Gong worship already as a culturalpresence examining nearly three decades of research have also become moremature, but "God of wealth of Guanyu Guan Gong culture derivative, or isdue to the "Off the God of Wealth" worship culture of independence is notattention, direction of research is relatively scarce. However, Guan Yuas God of Wealth worship phenomenon in terms of the letter a number ofwidowed in the areas of culture of the connotation of implication andcontemporary significance are indicative of its independent existence asa cultural significance and value. Therefore, the interpretation isnecessary.Committed to this article will be "God of wealth of Guanyu in history comband modern interpretation of the double vision, combined with the worshipof Western theory off the God of Wealth" formation and evolution of themodern perspective, sublimation, enrich, the performance of connotationas well as the form of light for extension painted. In this paper a totalof three chapters, the first chapter, on the basis of an overview of theGuan Gong Culture and the Chinese God of Wealth Culture, valor known generals Guan Gong and the God of Wealth quality of anything to feelinglike to be painted. The second chapter, focusing on the "Off the God ofWealth" worship of the religious quality to be discovered. Section I ofwhich, in addition to the account of Guan Yu by the people and God, byGod but the God of Wealth of the causes and consequences, but also triedthis process in the context of the cultural network, showing the Guan Gongevolution process of the external manifestations of internal qualityassimilative; The two in turn presents the participation and influenceof Confucianism, Buddhism and "God of wealth of Guanyu germinal process,and strive to informative and light for reading. In Chapter III,"God ofwealth of Guanyu expressions of folklore will be able to show, Folk Customperformance performance will be interpreted in the modern theoreticalvision and strive to reveal the practical significance under its modernvision.The author believes that the specialized study God of wealth of Guanyuhas been the lack of new point of view of academic concern, and manyproblems are in addition to the capacity of the author study. However,I believe, at least in the data accumulation, this new attempt to exploremeaningful.