On The Opera "Tosca" In Recitative Drama United States And Deal With Concert

The three-act opera "Tosca" is a world-renowned works, it is the true doctrine ofPuccini’sopera masterpiece. Famous aria in the opera "for art, for love,""Starry","wonderfulharmony" and Puccini’s legacy classical aria, in addition throughout thewhole operasinging nature the recitative is not to be overlooked part of the dramaticcharm of it in the opera unfolded not only highlights the unique creative style ofPuccini also added an indelible mark the success of the opera.This paper from the four parts of the opera "Tosca" in recitative, theater andconcertdeal with the analysis of discourse, the text is divided into four parts:The first part is an introduction.This section the author introduces the valueandsignificance of the topics of reason, the academic status quo, and this study;The second part of the Puccini opera "Tosca" About. This section focuses on thediscourse after a brief preparation and bedding;The third part is the analysis and discussion of the opera "Tosca" recitative dramainAmerica.This part of the author intends to start from the two aspects of the music,the plotto be meticulous analysis of the spectrum of cases, combined aspects of therecitative in the rhythm and tempo, speed and strength, melody, character andpsychology, the plotdevelopment, which is the full text the focus of chapter one;The fourth part of the opera "Tosca" in recitative singing processing. Ofrecitative in operatheater showing the analysis and understanding of theory and actualconcert combiningrecitative singing and processing to be summarized. This sectiondiscusses not only the end-result of the full text of the theory of sublimation ofrecitative drama.