Red youth idol, red as a "cultural patterns" television show that presents a collectivetribute to the way in2011on the screen. In the postmodern context, the economic entities andthe spiritual world is constantly puffing at the same time, the people gradually vision byambitious social periphery to a private individual space. In the modern context of thetelevision media, in the fashion of the consumer society,"our culture into a vast arena of theentertainment industry." By the mainstream ideology of the "red theme" also began a newway express himself. On the TV screen in2011, red youth idol drama "China1921","myyouth in Yanan, the New Fourth Army female soldiers," a collective gift, a record ofextraordinary ratings.2011red youth idol drama on the screen of the high frequency meansthat the official rise of this type of drama.Modern Context red youth idol placed after scrutiny. Object to be studied-red youthidol as a case with an independent character, in turn reflection as a social and culturalphenomena are presented, to examine its integration into a modern macro perspective.Cultural studies perspective, the significance of the film text is in some kind of change in thehome state, the confirmation process is coupled with the multiple social, political, economicfactors, ideology and practice, and its conduct intertextuality, the following results. What isthe value on the research ideas in this paper follow the text phenomenon-its behind thephenomenon of cultural symptoms-phenomena, namely, the "phenomenon-the reason-thephenomenon of what value this basic idea is to parse. This article will seek a combination ofmacro-cultural analysis and micro-text reading, after the modern theory as a starting point,look at the recently presented red youth idol phenomenon. Grasp micro concrete expressionof modernity in the red youth idol drama, in order to resolve the postmodern context for thenew concept of "red". Secondly, from the macro will be included in the whole context,perspective, and explore the meaning of the phenomenon behind it.Preliminary exploration of the text form and cultural character, the initial red youth idoldrama is defined as: Sino-Japanese War, the liberation war, love, entertainment, and otherelements in the narrative process, to the younger generation of revolutionariesyoung andhandsome young actor (mainly referring to the pop star under the age of35) interpretation ofthe narrative object, use the original screenplay of the revolution, from the positiveperformance of the Chinese Communist Party under the leadership of the revolutionary causeas the main content, teleplays. Study and explore the starting point of this definition areas arered youth idol. Red youth idol drama to break the Aesthetic tendency and pattern profiling leaders,re-shaping the characters of the narrative object. Perspective "consciousness" in the ordinaryhero and the villain humane cater diluted, and the performance of the diversity of perspectiveof the civilian population, the revolution of love romantic comedy of the details of life, typeelements also red youth idol intertextual way to deconstruct the authority to eliminate the"sacred" historical sense of distance. These rhetorical strategies, love drama, Spy Gameroutines, folk tales thinking, and even martial arts elements, wrapped the meantime, thecommon cultural goods manufacture collective participation can be "in the nurture feelings of’red’, to cater to the consumer society ratings expectations and desires of the next publicrelease. It from the perspective of the production mechanism to sort out. Analysis of redyouth idol drama is inseparable from the context the relationship between red youth idol popbehind reflects the response under the influence of the consumer society and the new feministthinking. On the analysis out of the value spread, red youth idol drama, reflecting theencirclement of the mainstream consciousness and popular culture, during the writing of themainstream ideology in the post-modern context of its able to screen large-scale rendered themeaning. |