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Contemporary Sculpture Of Cross-border Phenomenon

Posted on:2014-02-11Degree:MasterType:Thesis
Country:ChinaCandidate:L Z YangFull Text:PDF
GTID:2235330395499794Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The emergence of transboundary sculpture. It is multicultural and embodiment. Compared with the traditional sculpture art. Contemporary cross-border sculpture of Arts participation more profound. Influence of more extensive, also more complex. Popular culture and the " cultural" under the influence of transboundary sculpture will be what kind of form? Transboundary sculpture produced will be how to change? Transboundary sculpture in modern development process will be how to? The final boundary of sculpture art sculpture appearance will produce what kind of impact? With respect to these problems, this paper from the following several chapters analyze:First is the introduction, the research background, present research purpose, significance and research methods.The first chapter:transboundary sculpture production factor. Through the analysis described the two main reasons:the rise of popular culture and cultural appearance. Specifically focuses on the cultural embodiment, first is Dadaism, surrealism appearance. Secondly, at the pan cultural cause, art idea change, life into art. Third pan cultural prompted simulation art appearance, aesthetic generalization and it leads to aesthetics by deterministic to uncertainty. The so-called contemporary social symbolic image shift is reflected, with the super realism as an example to illustrate.The second chapter:transboundary sculpture produced after the change. This paper analyzes from five aspects:first, by the industrial and technological change on the alienation of science and technology, industrial, mechanical utilization and dependence. Secondly, by the personality of the objective to emphasize the artist’s own subjective feeling. By third, superior "noble art" into the popular culture of the close attitude. Fourth, art of the limitations of materials into more material, more performance, no boundaries. Fifth, from the traditional sculpture style changed to emphasize integrated ideas for sculpture.The third chapter:transboundary sculpture in later in the process of modernization inevitable trend. Thinking through cross-border--art creators transformation and the emergence of" Pan Sculpture " culture, sculpture and art discipline internal mutual penetration and ceramics, building industry penetration. To illustrate the problem. And one by one analysis of the internal and external artistic disciplines disciplines of cross-border phenomenon, such as sculpture and installation art, sculpture and public art, sculpture and ceramic art and sculpture and architectural integration.The fourth chapter:sculpture crossover phenomenon resulted in creation of behaviour change. A total of four points:first, creative judgment standard by the pure form and self-discipline norms into cultural idea and heteronomy dominant. Second, digestion of the sculpture the traditional rules and constraints. After third, straddling the sculpture art of great public space, with a strong public.Finally summarizes the full text.
Keywords/Search Tags:Contemporary sculpture, crossover, mass culture, cultural, Pan Sculpture
PDF Full Text Request
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