The Late Qing Dynasty In The Spread Of Western Painting In Shanghai And The Influence Of The Modern Painting

The spread of western painting in China, has experienced aspecial and lengthy process. As early as in late Ming dynasty, have afew missionaries in China will be brought into the oil paintings, but noimpact. After the opium war, the qing dynasty was forced to open thedoors of the retreat for a long time, the western culture is then orpassive or active flowing into China. China is no longer a turning-pointsince one thousand traditional paintings monolith, the spread ofwestern painting spread, make the late qing dynasty and the Chineseart history become a fantastic time period. The traditional Chinesepainting "town" and the spread of western painting "the center", themiracle of coexist in the late qing dynasty Shanghai. There are anumber of modern Chinese artists, and Shanghai have a laugh.Western education model of art school rise, the fine arts communityemerging, create multiple, famous assembled, the potential of thecenter Shanghai sponsors in20century to twenty to thirty s heyday.In Shanghai, such as soil occurred valley painting hall, export painting,sponsors, and a series of sports communication activity sponsors.Shanghai soil from the valley spread institutions such as paintingworkshops sponsors, the appearance of Chinese fine arts and peoplestarted passively accept the spread of western painting; Part of theartist to active learning western arts skills; And in the end moststudents of active learning, and western painting gradually began tospread in China. Experience with missionaries for initial spread, topictorial, was as the main media, then to spread the process of mainbody for foreign students, only in our country sponsors occupied aturning-point. The Ming and qing dynasties in China during thesponsors spread Chinese painter as accept party, plays from passive accept western painting, to consciously accept western painting,active learning western painting study recognition process. Thisprocess, for in our country after the founding of the western paintingtook root, and constantly expand the laid a foundation. At the sametime also on China’s traditional paintings in the modern reformmovement has certain influence.